- BPM
- 77
- Key
- C Major
- Camelot
- 8B
Can You See by Zanaida S Robles, Tonality Song Details
"Can You See" by Zanaida S Robles, Tonality had its release date on February 1, 2019. This song is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Sing About It". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Can You See is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With Can You See by Zanaida S Robles, Tonality having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Music Key
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -19.57 dB
- Acousticness
- 92%
- Danceability
- 50%
- Energy
- 4%
- Instrumentalness
- 30%
- Liveness
- 6%
- Loudness
- 67%
- Speechiness
- 3%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | In Te, Domine, Spreavi | Nordic Chamber Choir - Nicol Matt | D Minor | 0 | 7A | 83 BPM | |
 | Author of Light | Thomas Campion, Grace Davidson, Julian Perkins | E♭ Major | 0 | 5B | 85 BPM | |
 | Hail the day that sees Him rise - SATB | Mack Wilberg, Charles Wesley, Robert Williams, Oxford University Press, Commotio Chamber Choir, Richard Pearce, Matthew Berry | F Major | 2 | 7B | 98 BPM | |
 | To the Hands: No. 4, Ever Ever Ever | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | A Minor | 1 | 8A | 111 BPM | |
 | Holy Holy Holy Lord God Almighty | AJP Covers | E♭ Major | 0 | 5B | 85 BPM | |
 | Litany of Catechumens - N. Kedrov | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | F Major | 0 | 7B | 95 BPM | |
 | Salvation is Created | Pavel Chesnokov, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | D Major | 1 | 10B | 108 BPM | |
 | A solis ortus cardine | Voci di Sorelle | E♭ Major | 1 | 5B | 87 BPM | |
 | Will You Hold Me in the Light? | Sally Ann Morris, Goshen College Choirs, St. Joseph Valley Camerata, Adam M. L. Tice | G Major | 1 | 9B | 138 BPM | |
 | Come and Let Us Worship God | John Bell, The Cathedral Singers | D Major | 2 | 10B | 74 BPM | |
 | Mass in D Major, Op. 86 / Kyrie: Ic. Kyrie II | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D Major | 1 | 10B | 75 BPM | |
 | Svete Tihiy | Stellenbosch University Choir | E Major | 2 | 12B | 77 BPM | |
 | Inventions for Choir & Piano: No. 1, The Silence Moves | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | F Major | 2 | 7B | 89 BPM | |
 | Unto Thee Lift I Up Mine Eyes (Psalm 123) | William Crotch, James Anderson-Besant, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 1 | 9B | 65 BPM | |
 | The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | |
 | Psalm CXXX | Charles Hylton Stewart, Michael Bloss, Choir of St John's, Elora, Noel Edison | E♭ Major | 0 | 5B | 85 BPM | |
 | The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | E♭ Major | 0 | 5B | 85 BPM | |
 | Shakespeare Songs, Book 3: IV. O mistress mine! | Matthew Harris, Phoenix Bach Choir, Charles Bruffy, Robert Comeaux | E♭ Major | 1 | 5B | 127 BPM | |
 | A Gaelic Blessing | John Rutter, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble | E Major | 1 | 12B | 84 BPM | |
 | Angel Voices, Ever Singing | Edwin George Monk, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | F Major | 0 | 7B | 129 BPM | |
 | Pure river of water of life | James Whitbourn, Commotio, Matthew Berry | B Minor | 0 | 10A | 112 BPM | |
 | Umbra Lucis | Cathedral Choir, The Cathedral Singers | E♭ Major | 0 | 5B | 85 BPM | |
 | Ave Maria, Gratia Plena | Josu Elberdin, Reading Phoenix Choir, Christopher Hann | D Major | 0 | 10B | 78 BPM | |
 | Oh Thank You, Creator, Most Merciful | Laestadian Lutheran Church, Laurel Loukusa, Kaitlyn Huhta, Matthew Keranen | G Major | 1 | 9B | 148 BPM | |
 | Salvator mundi I | Quire of Voyces | A♭ Minor | 3 | 1A | 94 BPM |
- ISRC
- uscgh1944650
- Label
- L-M Records/RCA Records