Miwa Hoshi's '瀕死の詩人 (Rond De Jambe A Terre)' had a release date set for December 25, 2009. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Miwa Hoshi's "MUSIC FOR BALLET CLASS Vol.1" album is number 9 out of 30. On top of that, Turks and Caicos Islands appears to be the country where this track was created. In terms of popularity, 瀕死の詩人 (Rond De Jambe A Terre) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 瀕死の詩人 (Rond De Jambe A Terre) by Miwa Hoshi to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Battements Tendus 4/4 8×4 | Galina Bezuglaya | E Major | 0 | 12B | 63 BPM | ||
| 莫札特: 小星星變奏曲, 作品K. 265 | 紀鈞瀚 (Bryan Chi) | C Major | 0 | 8B | 145 BPM | ||
| Govindo Jeje | Paul Kronberg | F♯ Major | 0 | 2B | 169 BPM | ||
| Battement Tendu 2/4 (Capriccio Op.76 n°2) | The Ballet Pianist | E♭ Major | 1 | 5B | 75 BPM | ||
| Plie 1 (3/4) | Marina Surgan | E♭ Major | 3 | 5B | 129 BPM | ||
| Terminale | Giosi Roma | D Major | 2 | 10B | 80 BPM | ||
| Bluesette (Battements Degages from 5th, Barre Technique) | David Howard, Douglas Corbin | E♭ Major | 2 | 5B | 136 BPM | ||
| All by myself (Warm up) - Cover | Miwa Hoshi | B♭ Major | 3 | 6B | 88 BPM | ||
| Barre. Demi-pliés | Igor Ivanov | G Major | 0 | 9B | 69 BPM | ||
| Rond De Jambe Par Terre + Port De Bras 2/4 | Diego Guedes | B♭ Major | 2 | 6B | 155 BPM | ||
| Find the Princess (From "Final Fantasy IX") | Animalisa Keys, Pablo Enver | C Major | 0 | 8B | 91 BPM | ||
| C'est Un faut Grâve | Maurice Dehors | A Minor | 2 | 8A | 100 BPM | ||
| Tendus Glisses & Piques Jazzy Rag 2/4 | Debbi Parks | G Major | 1 | 9B | 100 BPM | ||
| Grand allegro I (P. Hertel "La fille mal gardée") | Youngsin Sarah Choi | C Major | 0 | 8B | 135 BPM | ||
| Warm up 2 4x4 | Jorge L. Martínez | D♭ Minor | 2 | 12A | 180 BPM | ||
| Warm up Pointe 1. Metre 4/4. | Vadim Proshich, MetodoVadim | F Major | 2 | 7B | 90 BPM | ||
| ポアント3 オリジナル - 3/4 8×8 | 滝澤 志野 | D Major | 2 | 10B | 65 BPM | ||
| 10 Adagio Rieding major | Dan Turcanu | B♭ Major | 2 | 6B | 109 BPM | ||
| 36 Originaltänze, D.365: No.33 and No.34 in F Major | Songs of Birdland, Mu Dimon, Classical of Birdland | B♭ Major | 1 | 6B | 92 BPM | ||
| Sprinkles | Pino Moravia | C Minor | 0 | 5A | 91 BPM | ||
| Plies (3/4:64): 不思議の国のアリス | Oliver Wallace, 稲葉智子 | E Major | 2 | 12B | 97 BPM | ||
| Rigoletto, Act III: La Donna É Mobile (Battement Tendu) | Giuseppe Fortunino Verdi, Charles Mathews | G Major | 1 | 9B | 119 BPM | ||
| Floor Work: Hungry Crocodiles | Nolwenn Collet | F Major | 3 | 7B | 162 BPM | ||
| Battement tendu 4/4 | Iraida Minkus | A Major | 2 | 11B | 88 BPM | ||
| Plie 2 | 이예정 | G Major | 1 | 9B | 70 BPM |