"Nativity Carol" by John Rutter, Franck, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble had its release date on September 26, 2025. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Rutter, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble's "John Rutter: A Clare College Celebration" album is number 9 out of 16. On top of that, France appears to be the country where this track was created. Nativity Carol is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nativity Carol by John Rutter, Franck, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Notebook for Anna Magdalena Bach (1725): No. 25, Bist du bei mir, BWV 508 [Arr. for Orchestra by John Rutter] | Johann Sebastian Bach, John Rutter, Manchester Camerata | E Major | 2 | 12B | 98 BPM | ||
| Gloria: I'll Make Music | Karl Jenkins, Polyphony, Stephen Layton | A♭ Major | 1 | 4B | 79 BPM | ||
| Praise, My Soul the King of Heaven: Praise, my soul, the King of Heaven | John Goss, Choir of St George's Chapel, Windsor Castle, Marlowe Brass Ensemble, Timothy Byram-Wigfield | D Major | 1 | 10B | 83 BPM | ||
| God Be in My Head | Henry Walford Davies, John Rutter, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| Loquebantur variis linguis | Thomas Tallis, The Cambridge Singers, John Rutter | D♭ Major | 1 | 3B | 128 BPM | ||
| Romance, Op. 11 | Gerald Finzi, London Philharmonic Orchestra, Sir Adrian Boult | A♭ Major | 1 | 4B | 82 BPM | ||
| Serenade in G Major: II. Air. Lento, ma non troppo (Original Version) | Ernest John Moeran, Ulster Orchestra, Joann Falletta | B♭ Major | 3 | 6B | 156 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| American Triptych: No. 2, The Peace of Wild Things | Jake Runestad, Conspirare, Craig Hella Johnson | E Minor | 0 | 9A | 66 BPM | ||
| Alma Redemptoris | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 84 BPM | ||
| Fantasia Gaelach No. 1 | Archibald James Potter, RTÉ National Symphony Orchestra, Robert Houlihan | A♭ Major | 0 | 4B | 89 BPM | ||
| Romance in E-Flat Major, Op. 11 | Gerald Finzi, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 86 BPM | ||
| The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 5 | 8B | 180 BPM | ||
| Liturgical Chants: 4 Spiritual Songs. Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 81 BPM | ||
| Et misericordia | Haderslev Domkirkes Pigekor, Thomas Berg-Juul, Julia Tabakova, Jonas Hellesøe, Anne Mette Balling, Strygerensemble fra Sønderjyllands Symfoniorkester | D Major | 2 | 10B | 179 BPM | ||
| Lully, Lullay | The Choir of All Saints' Episcopal Church | F Minor | 2 | 4A | 77 BPM | ||
| All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 81 BPM | ||
| Otche Nash (Our Father) | Nikolay Kedrov, Conspirare, Craig Hella Johnson | C Major | 0 | 8B | 126 BPM | ||
| Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Requiem: Agnus Dei | John Rutter, Elin Manahan Thomas, Choir of Clare College, Cambridge, City of London Sinfonia, Timothy Brown | B♭ Major | 0 | 6B | 132 BPM | ||
| O Christ Who Art the Light and Day | William Byrd, The Cambridge Singers, John Rutter | G Minor | 1 | 6A | 143 BPM | ||
| When David heard | Thomas Tomkins, Choir of Clare College, Cambridge, Graham Ross | C Major | 1 | 8B | 129 BPM | ||
| Psalm 139 | O God You search me | Christelijk koor Jigdaljahu, Mark Brandwijk, Marco den Toom, Bert Noteboom, Lennart Morée, Arjan Wouters | D♭ Major | 2 | 3B | 169 BPM | ||
| St. Theodulph "All Glory, Laud and Honour" | Melchior Teschner, Choir Of All Saints Margaret Street London, Andrew Arthur, Harry Bramma | C Major | 3 | 8B | 97 BPM | ||
| Crossing the Bar | Hubert Parry, Choir of Jesus College, Cambridge, Mark Williams | D Major | 1 | 10B | 70 BPM |