椎名豪's ' "夢への誘い" was released on its scheduled release date, December 14, 2022. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. 夢への誘い's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 「鬼滅の刃」無限列車編 オリジナルサウンドトラック, so we believe that "夢への誘い" is a single. Based on our statistics, 夢への誘い's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 夢への誘い by 椎名豪 is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Operating in the Shadows | Alisa Okehazama | D Major | 4 | 10B | 83 BPM | ||
| 列車の変貌 | 椎名豪 | B Major | 9 | 1B | 143 BPM | ||
| Akaza Enters The Battle | 猗窩座 戦場に登場 | Ashif N | G Major | 7 | 9B | 134 BPM | ||
| 自由・平等・友愛 | Sawano Hiroyuki | C Major | 1 | 8B | 92 BPM | ||
| Directed energy attacks | Yuta Bandoh | F Minor | 4 | 4A | 132 BPM | ||
| Nocturne | DAIKI(AWSM.) | C Minor | 3 | 5A | 129 BPM | ||
| False Reverence | Wuthering Waves, TLK天翔 | D Major | 5 | 10B | 69 BPM | ||
| 破滅後の世界 | Asami Tachibana | A Major | 2 | 11B | 87 BPM | ||
| Romantic Ballad at the Castle | maats | E Major | 4 | 12B | 141 BPM | ||
| Come To Light | Wuthering Waves, Weijun Chen | D Major | 4 | 10B | 132 BPM | ||
| Anchor The Future | Wuthering Waves, Weijun Chen | D Major | 4 | 10B | 132 BPM | ||
| Bitter Past | 加藤達也 | C Major | 10 | 8B | 160 BPM | ||
| 四皇ビッグ・マム~シャーロット・リンリン~ | 田中公平 | B Major | 3 | 1B | 92 BPM | ||
| 戦いの終焉~禰豆子の炎 | 椎名豪 | B Major | 9 | 1B | 171 BPM | ||
| Amethyst | DAIKI(AWSM.) | E Major | 0 | 12B | 134 BPM | ||
| 今を未来をありがとう - Instrumental | フランシュシュ | G Minor | 6 | 6A | 130 BPM | ||
| Swing With Me | KOHTA YAMAMOTO | F Major | 8 | 7B | 134 BPM | ||
| That Place | 照井順政 | D♭ Minor | 5 | 12A | 76 BPM | ||
| Theme of HIKARI (Ep20 ver.) | Yuta Bandoh | E Minor | 8 | 9A | 141 BPM | ||
| あたしのお父さん | Kohei Tanaka | F Major | 1 | 7B | 75 BPM | ||
| かわいい妹だった | Masahiro Tokuda | G Minor | 2 | 6A | 67 BPM | ||
| Shadow Clocks | Taro Umebayashi | D♭ Major | 2 | 3B | 146 BPM | ||
| LFRITH is the Future | Takashi Ohmama | N/A | N/A | N/A | 0 BPM | ||
| Catching the Glow | HOYO-MiX | D♭ Minor | 5 | 12A | 76 BPM | ||
| 水神竜メルクフォビアのやすらぎ | Yasuharu Takanashi | A Minor | 4 | 8A | 80 BPM |