"The Vanishing Point" by Lisel had its release date on October 18, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "The Vanishing Point". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The popularity of The Vanishing Point is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Vanishing Point by Lisel having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Slow Motion (feat. Ringdown) | Caroline Shaw, Sō Percussion, Ringdown | B♭ Major | 2 | 6B | 120 BPM | ||
| Baited | LEYA | B♭ Minor | 8 | 3A | 128 BPM | ||
| Slow Morning | Kalei Moro | A♭ Minor | 5 | 1A | 196 BPM | ||
| Willows & Rushes | Benjamin Fulwood | D♭ Minor | 1 | 12A | 120 BPM | ||
| peach skin | Cole Pulice, Nat Harvie | G Major | 4 | 9B | 82 BPM | ||
| poem about executive function | LEYA, Deli Girls | C Major | 4 | 8B | 84 BPM | ||
| SKADI | Laura Cannell | G Minor | 2 | 6A | 120 BPM | ||
| Silent Union | NYX | D Major | 2 | 10B | 169 BPM | ||
| Wolves | Lisel, Booker Stardrum | D Major | 1 | 10B | 140 BPM | ||
| Mirror Behaviour | Astrid Sonne | A Minor | 4 | 8A | 140 BPM | ||
| Spiritual Sun | Ellen Reid, Shabaka | A Minor | 3 | 8A | 87 BPM | ||
| Silent Meadows | Olen Vyx | F♯ Major | 7 | 2B | 95 BPM | ||
| Our Father | Julius Eastman, Christopher Rountree, DAVÓNE TINES, Wild Up | G Major | 2 | 9B | 138 BPM | ||
| Large Oak | Keeley Forsyth | F Major | 1 | 7B | 68 BPM | ||
| What Is Not Strange? | Tashi Wada, Julia Holter | A Minor | 1 | 8A | 113 BPM | ||
| Rabbit Rabbit | Lisel | A Major | 7 | 11B | 122 BPM | ||
| Everything is unreal | Astrid Sonne | G Major | 1 | 9B | 90 BPM | ||
| Echi di primavera | Fabio Massimo Capogrosso | E Major | 1 | 12B | 68 BPM | ||
| Oración del Cuerpo | Luz de Luto | D Minor | 5 | 7A | 100 BPM | ||
| Melody I Heard | Hildegard, Helena Deland, Ouri | D♭ Major | 3 | 3B | 118 BPM | ||
| Cabra | Adrian Crowley, Matthew Nolan | F Major | 2 | 7B | 116 BPM | ||
| Failure! | Lisel | C Major | 6 | 8B | 135 BPM | ||
| Choice | Vanessa Bedoret | C Major | 2 | 8B | 80 BPM | ||
| Basement Days (feat. Sorcha Richardson & Lisel) | San Fermin, Sorcha Richardson, Lisel | C Minor | 4 | 5A | 136 BPM | ||
| Ephemeral I | Astrid Sonne | B Major | 4 | 1B | 150 BPM |