On January 1, 1999, the song "Kan Bai Chalani Telan Disha" was released by Rucha Birari. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rucha Birari's "Kanher Ni Kanbai" album is number 5 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Kan Bai Chalani Telan Disha is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kan Bai Chalani Telan Disha by Rucha Birari to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Akkalkoti Swaminchya | Suresh Wadkar | B Minor | 6 | 10A | 102 BPM | ||
| Subramanya Karavalamba Stotram | Annapurna | A♭ Major | 5 | 4B | 101 BPM | ||
| Aarti Gyanraja | Ajeet Kumar Kadkade | A♭ Major | 7 | 4B | 104 BPM | ||
| Gopal Krishna Radhe Krishna | Ami Joshi | F Minor | 6 | 4A | 127 BPM | ||
| Kalya Ghodyache Pay Vaje | Nanda Bhamre | G Minor | 6 | 6A | 82 BPM | ||
| Man Dhavtaya Chandrabhage Kathi | Mandar Apte | D♭ Major | 6 | 3B | 176 BPM | ||
| San Shimgyacha Ala Ho | Ramesh Nakhwa, Pushpa Pagdhare | D♭ Major | 6 | 3B | 100 BPM | ||
| Ma Inta Velasina Mahalakshmi Tulasi | Sri Nagaveni | G Major | 6 | 9B | 142 BPM | ||
| Deva Ra Mazya Rajya Ra | Shakuntala Jadhav | A♭ Major | 7 | 4B | 172 BPM | ||
| DE DE DE DEVA DARSHAN | Mahesh Hiremath, Sangeeta Kulkarni | A♭ Minor | 4 | 1A | 101 BPM | ||
| Darshan De Majala | Mandar Apte | B Minor | 6 | 10A | 125 BPM | ||
| Chinni Chinni Kavadi | Dappu Srinu | F Minor | 4 | 4A | 102 BPM | ||
| Rama Suguna Rama | Sri Ganapathy Sachichidananda Swamiji | B♭ Minor | 4 | 3A | 164 BPM | ||
| Raja Janak Ji Ke Ek Beti Sita | Poonam Mishra | F♯ Major | 3 | 2B | 190 BPM | ||
| O Vishwapati Tara Vishvase -Trupti Dave | Studio Avsar | B♭ Minor | 6 | 3A | 148 BPM | ||
| Khar Sukh Natha Tuch | Akash Shinde | B Major | 9 | 1B | 108 BPM | ||
| Trishulavari Kashipuri Chakravarti Pandhari Aabhang | Bhakti Bhajan, Prajwal Prk, Vrushabh Kathale | D Major | 10 | 10B | 85 BPM | ||
| Gadi Jupavi Ghungarachi | Shakuntala Jadhav | A♭ Minor | 7 | 1A | 127 BPM | ||
| Kach Regi Premeri Gat | Anil Chavhan | F♯ Major | 9 | 2B | 79 BPM | ||
| KARLYA GAVCHI EKVIRA MAAY | Jagdish Patil | D Major | 9 | 10B | 154 BPM | ||
| Granthaniche Kale Mani | Madhuri Mahajan | B Major | 4 | 1B | 170 BPM | ||
| Aaj Kolivaryat Yeil Varat | Vitthal Umap | A♭ Major | 6 | 4B | 95 BPM | ||
| Tuza Mani Dhyas Sai | Bhalchandra Lavate | D♭ Major | 9 | 3B | 90 BPM | ||
| Katha Sangto Balumamachi | Balasaheb Bhagat, Jagdish Gorse, Vithal Shinde, Rahul Shinde, Santosh Nayak, Makrand Sardeshmukh | F Minor | 6 | 4A | 102 BPM | ||
| Kanbai Chalni Gangevari | Rucha Birari | E♭ Minor | 7 | 2A | 83 BPM |