Marisa And The Moths's 'How Did You Get So Weak?' had a release date set for June 6, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Marisa And The Moths's "Marisa And The Moths (Deluxe Edition)" album is number 2 out of 16. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, How Did You Get So Weak?'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of How Did You Get So Weak? by Marisa And The Moths to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Por Qué Demoras | EchoQueen | A Minor | 7 | 8A | 150 BPM | ||
| Imagine What We Could've Been | Kira Mac | D Minor | 8 | 7A | 130 BPM | ||
| Headcase | Madame Mayhem | B Minor | 8 | 10A | 102 BPM | ||
| Tales Of Never Ending Rage And A Beautiful Disaster | Sweet Lizzy Project | C Minor | 8 | 5A | 132 BPM | ||
| Downs & Ups | The Dead Deads | F♯ Major | 9 | 2B | 150 BPM | ||
| The Haunter of the Dark | Buail | A Major | 10 | 11B | 165 BPM | ||
| Gravelly Clean | SoundWave SonicPulse | A Major | 10 | 11B | 155 BPM | ||
| Never Forget | Crystalline | A Major | 8 | 11B | 152 BPM | ||
| Blend In | NÆMA | F♯ Minor | 8 | 11A | 113 BPM | ||
| Run Through | Pendragon | F Major | 7 | 7B | 143 BPM | ||
| DAMN!DAMN!DAMN!DAMN! | The Hot Damn! | F♯ Minor | 9 | 11A | 165 BPM | ||
| Drag Me | Avalon Stone | A Major | 5 | 11B | 67 BPM | ||
| Whispers in the Shadows | CrescentThunderWildcard | C Major | 7 | 8B | 94 BPM | ||
| Looking for You | Clio Cadence | D Minor | 8 | 7A | 92 BPM | ||
| Glitch | Freeze the Fall | D Minor | 9 | 7A | 182 BPM | ||
| Will Not Win | Plush | A♭ Major | 9 | 4B | 95 BPM | ||
| Every Word You Say | Oceandvst | G Major | 8 | 9B | 135 BPM | ||
| Limited | Tulip | D♭ Major | 8 | 3B | 128 BPM | ||
| Are You With Me? | Seas on the Moon, Eissa Morphide | E Major | 9 | 12B | 160 BPM | ||
| Violet Room | Crystalline, Dan Ross | C Major | 10 | 8B | 128 BPM | ||
| Is Anybody Out There | Cassidy Paris | F Major | 10 | 7B | 144 BPM | ||
| Underground | Raven Quinn | F Minor | 9 | 4A | 93 BPM | ||
| B-O-R-E-D | Tigress | D♭ Major | 10 | 3B | 142 BPM | ||
| Slow Down | As Everything Unfolds | D Minor | 7 | 7A | 172 BPM | ||
| あなたに逢いたくて | MONGOL510 | G Minor | 5 | 6A | 164 BPM |