Adrien Le Roy, Konrad Ragossnig's 'Lute music - France: Passemeze' had a release date set for January 1, 1974. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Works For Lute by Konrad Ragossnig. The song's track number on the album is #18 out of 114 tracks. In terms of popularity, Lute music - France: Passemeze is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Lute music - France: Passemeze by Adrien Le Roy, Konrad Ragossnig has a tempo of 117 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Lute music - France: Passemeze being at 117 BPM, the half-time would be 58 BPM with a double-time of 234 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonate in Fa Minore: I. Toccata | Michelagnolo Galilei, Anthony Bailes | E Major | 1 | 12B | 47 BPM | ||
| Suite in G Major: IV. Voix humaines | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Gintzler : Part II: Ave Maria | Heringman | D Minor | 0 | 7A | 80 BPM | ||
| Chiaccona in partite variate | Alessandro Piccinini, Playfords | D♭ Minor | 0 | 12A | 70 BPM | ||
| Li 5 libri della chitarra alla spagnola: Ciacona in C | Giovanni Paolo Foscarini, Private Musicke, Pierre Pitzl | D♭ Minor | 2 | 12A | 66 BPM | ||
| Pièces de clavecin, Book 2: 7th Ordre: La Menetou (Rondeau) [arr. Y. Imamura] | François Couperin, Yasunori Imamura | C Major | 1 | 8B | 98 BPM | ||
| Clarinas y Trompetas | Gaspar Sanz, Rolf Lislevand, Eduardo Egüez, Beatrice Pornon, Adela Gonzalez-Campa | D Major | 1 | 10B | 120 BPM | ||
| Second book (1639): Toccata VIII | Alessandro Piccinini, Rosario Conte | F♯ Minor | 0 | 11A | 93 BPM | ||
| Libro de Música de Vihuela de Mano "El Maestro": Pavana No. 1 | Luis de Milán, José Antonio Escobar | B Major | 0 | 1B | 97 BPM | ||
| Facultad organica: No. 23, Tiento sobre la primera parte de la "Batalla de Morales", FO 23 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | E Major | 1 | 12B | 113 BPM | ||
| Suite in A minor: Passacaille | Israel Golani | E Minor | 2 | 9A | 100 BPM | ||
| Suite in E Minor: II. Courante | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Alemanda Quarta | Domenico Pellegrini, Albane Imbs | F♯ Major | 1 | 2B | 104 BPM | ||
| Fuga in A Major | Adam Falckenhagen, Carlos Torres | A♭ Major | 3 | 4B | 85 BPM | ||
| Dance de las Hachas, IGS 6 (Arr. for Trio) | Chamber Ensemble | B Major | 1 | 1B | 131 BPM | ||
| Toccata VI | Alessandro Piccinini, Ulrik Gaston Larsen | D Minor | 1 | 7A | 83 BPM | ||
| The collected Lute Music of John Dowland: A Fancy, P 5 | John Dowland, Paul O'Dette | G Minor | 1 | 6A | 88 BPM | ||
| Salve primer tono por de la sol re - Version for Consort of 4 Viols | Sebastián Aguilera de Heredia, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | N/A | N/A | N/A | 0 BPM | ||
| Suite in D Minor: V. Les derniers paroles | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| Ouer the Dek Davie | The Royal Wind Music | B Major | 2 | 1B | 102 BPM | ||
| Mrs. Nichols Almain, P. 52: Mrs. Nichols' Almain, P. 52 | John Dowland, Nigel North | F Minor | 1 | 4A | 78 BPM | ||
| Couperin, L: Suite en fa: IV. Sarabande, G. 74 (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 138 BPM | ||
| Suite in G Major: I. Prélude | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| The Lyre of Thamyris | Michael Levy | A♭ Minor | 1 | 1A | 129 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Galliard (no.21) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | B Major | 0 | 1B | 134 BPM |