The Gaslight Anthem's ' "I Coul'da Been A Contender" was released on its scheduled release date, May 29, 2007. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Sink or Swim". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, I Coul'da Been A Contender is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With I Coul'da Been A Contender by The Gaslight Anthem having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Patient Ferris Wheel | The Gaslight Anthem | G Major | 9 | 9B | 126 BPM | ||
| Threat Level Midnight | The Riot Before | D Major | 8 | 10B | 97 BPM | ||
| Die on the Vine | Ways Away | A Major | 10 | 11B | 143 BPM | ||
| Separate Songs | Restorations | G Major | 7 | 9B | 72 BPM | ||
| Cavities | New Junk City | E Major | 10 | 12B | 90 BPM | ||
| Most Miserable Life | Polar Bear Club | D Major | 9 | 10B | 170 BPM | ||
| Jessica's Suicide | Bad Astronaut | C Major | 7 | 8B | 174 BPM | ||
| High in the Morning | New Junk City | D Major | 10 | 10B | 98 BPM | ||
| White People for Peace | Against Me! | A♭ Major | 10 | 4B | 158 BPM | ||
| We Are the Sons of Woody Guthrie | Red City Radio | D Major | 10 | 10B | 184 BPM | ||
| The Backseat | The Gaslight Anthem | G Major | 9 | 9B | 126 BPM | ||
| Division Street | Banner Pilot | E Major | 10 | 12B | 175 BPM | ||
| North East South West | Japandroids | G Major | 10 | 9B | 145 BPM | ||
| Cemetery West | Sundowner | B Minor | 10 | 10A | 86 BPM | ||
| Behold The Hurricane | The Horrible Crowes | B♭ Major | 9 | 6B | 115 BPM | ||
| Invisible Ink | Iron Chic | A Major | 4 | 11B | 140 BPM | ||
| Midsummer Classic | Sundowner | E Minor | 6 | 9A | 75 BPM | ||
| Sallie | MakeWar | E Major | 9 | 12B | 158 BPM | ||
| It's Gonna Rain All Day | Dan Andriano in the Emergency Room | A Major | 4 | 11B | 82 BPM | ||
| Too Late To Die Young | Beach Slang | D Major | 5 | 10B | 123 BPM | ||
| Crush | The Horrible Crowes | B♭ Major | 9 | 6B | 115 BPM | ||
| Stay Positive | The Hold Steady | A Major | 8 | 11B | 145 BPM | ||
| Central Standard Time | AM Taxi | E Major | 9 | 12B | 179 BPM | ||
| You Are Here | The Lawrence Arms | E Minor | 10 | 9A | 102 BPM | ||
| The Embers of Enlightenment | Ship Thieves | B Minor | 9 | 10A | 92 BPM |