On March 10, 2009, the song "15 Hours 35 Minutes 17 Seconds" was released by Alternative Radio. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Subject to Status". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, 15 Hours 35 Minutes 17 Seconds's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With 15 Hours 35 Minutes 17 Seconds by Alternative Radio having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You'll End Up Looking Like the Scary Bitches | Scary Bitches | D Minor | 8 | 7A | 140 BPM | ||
| Swing Out | Alternative Radio | E Minor | 8 | 9A | 150 BPM | ||
| True Love | Thoushaltnot | E Minor | 3 | 9A | 92 BPM | ||
| The Phantom of the Opera | Andrew Lloyd Webber, Emmy Rossum, Gerard Butler | D Minor | 6 | 7A | 120 BPM | ||
| A Smaller God | Darling Violetta | D Major | 7 | 10B | 80 BPM | ||
| No One Lives Forever | Oingo Boingo | B Minor | 9 | 10A | 142 BPM | ||
| Mystique's Theme | Alternative Radio, Rob Fennah | C Major | 4 | 8B | 124 BPM | ||
| Rosy Path | Elysian Fields | E Minor | 4 | 9A | 98 BPM | ||
| The Painted Bird | Billy Vicente | B♭ Minor | 4 | 3A | 106 BPM | ||
| Miss Volkova | Bondage Fairies | D Major | 6 | 10B | 123 BPM | ||
| Bombers | Nosferatu | C Major | 9 | 8B | 160 BPM | ||
| Thallius' theme | Alternative Radio, Alan Fennah | E Minor | 4 | 9A | 160 BPM | ||
| Encore - Sweet Gipsy Rose | Taco | E♭ Major | 4 | 5B | 113 BPM | ||
| Blood Red | Rose Chronicles | C Major | 4 | 8B | 118 BPM | ||
| Strangers in Love | Alternative Radio | D♭ Minor | 3 | 12A | 125 BPM | ||
| Cold Callers | Scary Bitches | D Major | 10 | 10B | 135 BPM | ||
| Entertain Me | Soft Cell | F Minor | 7 | 4A | 166 BPM | ||
| Catacomb Kittens | Cinema Strange | A Minor | 4 | 8A | 118 BPM | ||
| Fighting For... | Stateira | F Major | 3 | 7B | 121 BPM | ||
| Everybody Needs | Danny Elfman | F Minor | 7 | 4A | 116 BPM | ||
| Mr Mystery | Fabienne DelSol | F♯ Minor | 7 | 11A | 148 BPM | ||
| Die by Numbers | Ashbury Heights | A♭ Major | 9 | 4B | 138 BPM | ||
| The Sanity Assassin | Bauhaus | A♭ Major | 8 | 4B | 137 BPM | ||
| Sanguine Consequence | Nightsweat | G Minor | 9 | 6A | 83 BPM | ||
| Sugar | She Wants Revenge | D♭ Minor | 7 | 12A | 117 BPM |