"Trial" by Sarah Warne had its release date on January 1, 1900. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Trial's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sarah Warne's "Humans Series 2 & 3 (Original Television Soundtrack)" album is number 9 out of 34. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Trial's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trial by Sarah Warne to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stone or Stick | Jeff Danna, Arden Danna | A Major | 1 | 11B | 53 BPM | ||
| Berniece Story | Alexandre Desplat | A♭ Major | 3 | 4B | 135 BPM | ||
| Run Into A.B. | Mark Mothersbaugh | A Major | 2 | 11B | 130 BPM | ||
| Deep Water | Rob Simonsen | A♭ Major | 2 | 4B | 67 BPM | ||
| Burning Man | Hannes De Maeyer, Ruben de Gheselle | B♭ Minor | 1 | 3A | 150 BPM | ||
| Bleach (Prologue) | Chris Roe, Solem Quartet, Amy Green | G Minor | 2 | 6A | 83 BPM | ||
| Until The Light Returns | Dexter Britain | A♭ Major | 1 | 4B | 120 BPM | ||
| Sara’s Theme | Ralf Hildenbeutel | F Minor | 5 | 4A | 90 BPM | ||
| All Things Come To An End | Lorne Balfe | D♭ Major | 3 | 3B | 140 BPM | ||
| Barcodes | Dave Porter | C Major | 1 | 8B | 74 BPM | ||
| Kremlin Lie | Marcelo Zarvos | A Minor | 2 | 8A | 135 BPM | ||
| Dodger's Theme | Antony Partos | A Major | 2 | 11B | 115 BPM | ||
| She’s Pregnant | Andrew Lockington | B♭ Minor | 0 | 3A | 190 BPM | ||
| Can You Hear Me? | Lindi Bray | C Minor | 5 | 5A | 62 BPM | ||
| Finding The Cigar | Hannes De Maeyer, Ruben de Gheselle | C Minor | 1 | 5A | 120 BPM | ||
| Knock at the Door | Ian Hultquist, Sofia degli Alessandri | F Major | 1 | 7B | 58 BPM | ||
| Revenge | Martin Phipps | B♭ Major | 1 | 6B | 83 BPM | ||
| The End Was Peaceful | Dominik Scherrer | G Minor | 1 | 6A | 140 BPM | ||
| Billionaires' Bunker | Lucas Peire, Frank Montasell | F Minor | 3 | 4A | 180 BPM | ||
| Beverly Hills | Aysel Kazim, Selenay Kazim | C Minor | 3 | 5A | 85 BPM | ||
| I Get a Letter | Sarah Warne | F Major | 1 | 7B | 80 BPM | ||
| A Crime Against Humanity | Freya Arde | D♭ Major | 0 | 3B | 78 BPM | ||
| Ascensos Meteoriticos | Las Eternas | F♯ Major | 2 | 2B | 140 BPM | ||
| Um Mitternacht | Stefan Will | B♭ Minor | 1 | 3A | 96 BPM | ||
| Minimal | Yoraim | G Minor | 1 | 6A | 135 BPM |