"Redemption" by David Bernbach, David Mann had its release date on February 26, 2019. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Redemption's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Under Observation". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Based on our statistics, Redemption's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Redemption by David Bernbach, David Mann having a BPM of 154 with a half-time of 77 BPM and a double-time of 308 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nocturne Op. 9, No. 2 (Frederic Chopin) | Drew Tretick | B♭ Major | 2 | 6B | 111 BPM | ||
| Ah non credea mirarti | Vincenzo Bellini, Ophélie Gaillard, Tim Redmond, Royal Philharmonic Orchestra | E Minor | 2 | 9A | 77 BPM | ||
| Concerto for Mandolin No. 2 in A Minor, Op. 144: I. Maestoso | Raffaele Calace, Julien Martineau, Rinaldo Alessandrini, Concerto Italiano | A Minor | 2 | 8A | 148 BPM | ||
| Flicker of Hope | Veridia | E Major | 3 | 12B | 77 BPM | ||
| Swing On Beethoven | Philharmonix | C Minor | 1 | 5A | 75 BPM | ||
| The Lark | Mikhail Glinka, Dmitri Ferschtman, Mila Baslawskaja | E Minor | 1 | 9A | 92 BPM | ||
| Danse | Wieland Reissmann, David Bernbach | A♭ Major | 0 | 4B | 73 BPM | ||
| Cinema Suite: I. Lolita | Ennio Morricone, Marco Serino, Leandro Piccioni | E Minor | 0 | 9A | 91 BPM | ||
| Poulenc: Les chemins de l'amour, FP 106 (Trancr. for Cello and Piano) | Francis Poulenc, Edgar Moreau, Pierre-Yves Hodique | D♭ Major | 1 | 3B | 140 BPM | ||
| Danse Hongroise N°1 en Sol Mineur | Johannes Brahms, Laurent Korcia | G Minor | 3 | 6A | 125 BPM | ||
| Could We Start Again: Jesus Christ Suprestar | Prague Cello Quartet | D Major | 1 | 10B | 63 BPM | ||
| Shattered Echoes | Orithia | D Major | 6 | 10B | 98 BPM | ||
| Jazz Suite, Waltz No. 2 - Live | Dmitri Shostakovich, Vladimir & Anton | F Minor | 2 | 4A | 78 BPM | ||
| Journey | David Bernbach, Magnus Torden | G Major | 10 | 9B | 128 BPM | ||
| Als die alte Mutter mich noch lehrte singen, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | B♭ Major | 1 | 6B | 107 BPM | ||
| Spanish Dances, Op. 21: No. 2, Habañera | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | A Minor | 2 | 8A | 93 BPM | ||
| Pomone, Op. 155 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | E♭ Major | 2 | 5B | 183 BPM | ||
| La Fille du Régiment, Act I, Scene 11: Air de Marie "Il faut partir" (Arr. for Piano & Viola) | Gaetano Donizetti, Antoine Tamestit, Cédric Tiberghien | F Minor | 0 | 4A | 76 BPM | ||
| Distorted Reflection: VII. Shadow | Bishara Khell, Amira Ishaq, Bishara Haroni, Carol Ibrahim, Eleni Ghassan Mustaklem, Hikmat Ata Qaymari, Hussein Abu Al-Rob, Jalal Nader Albess, Jude Al Qalawi, Luay Bishara, Mahmoud Karzon, Mahran Moreb, Mohammed Karzon, Muntaser Jabarini, Rashed Za'rour, | B♭ Minor | 6 | 3A | 149 BPM | ||
| Valse de Concert Nr. 1 in D Major, Op. 47: Allegro | Alexander Glazunov, Beethoven Orchester Bonn, Stefan Blunier | G Minor | 2 | 6A | 174 BPM | ||
| Humoresque In G Flat | Antonín Dvořák, Thomas Füri, I Salonisti, Lorenz Hasler, Ferenc Szedlak, Bela Szedlak, Werner Giger | F♯ Major | 1 | 2B | 86 BPM | ||
| Lieder ohne Worte, Op. 67: No. 2 Allegro leggiero (Arr. Ottensamer for Clarinet and Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | F♯ Minor | 0 | 11A | 75 BPM | ||
| Viva Navarra: Jota - Remastered | Orquesta Ibérica De Madrid, Germán Lago | C Major | 1 | 8B | 100 BPM | ||
| Mazurka No. 2, Op. 23 | Frantisek Drdla, Simon Blendis, Saoko Blendis | F Major | 2 | 7B | 106 BPM | ||
| Quien sera | Beltran Luiz, LUDWIG Orchestra, Berlage Saxophone Quartet | E Major | 1 | 12B | 69 BPM |