"Pieces de Viole, Book 2, Suite No. 3: I. Prelude Le Logerot" by Roland Marais, Petr Wagner, Ensemble Tourbillon had its release date on February 1, 2011. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Pieces de Viole, Book 2, Suite No. 3: I. Prelude Le Logerot's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Roland Marais, Ensemble Tourbillon's "Marais: Pieces de Viole, Book 2" album is number 1 out of 30. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Pieces de Viole, Book 2, Suite No. 3: I. Prelude Le Logerot is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pieces de Viole, Book 2, Suite No. 3: I. Prelude Le Logerot by Roland Marais, Petr Wagner, Ensemble Tourbillon to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Membra Jesu Nostri, BuxWV 75: Concerto [Ad manus] | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Amphitryon, Z. 572, "The 2 Sosias": IV. Scotch Tune | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 107 BPM | ||
| Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 105 BPM | ||
| Cello Sonata in C Major, Op. 5 No. 3, H. 105: I. Andante | Francesco Geminiani, Andreas Gilger, Adrian Cygan | B Major | 1 | 1B | 92 BPM | ||
| Lachrimae or Seven Tears: VI. Lachrimae amantis | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Aria malinconica (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
| Leçons de ténèbres: IIa. Vau. Et egressus est a filia Sion | François Couperin, Jonathan Cohen, Anna Dennis, Arcangelo | C Major | 1 | 8B | 74 BPM | ||
| Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM | ||
| Pieces de Viole, Book 2, Suite No. 4: VII. Rondeau Le Balalud | Roland Marais, Petr Wagner, Ensemble Tourbillon | A Major | 1 | 11B | 113 BPM | ||
| Byrd: Miserere a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 90 BPM | ||
| Viola da Gamba Suite in D Major: IX. Tempo di minuet | Carl Friedrich Abel, Paolo Pandolfo | F♯ Major | 1 | 2B | 117 BPM | ||
| Concerto Grosso in G Minor after Corelli, Op. 5, No. 5: IV. Allegro | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 2 | 11A | 78 BPM | ||
| Ouverture in E Minor: VII. Gavotte en rondeau | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 2 | 7A | 98 BPM | ||
| Ground in D Major | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | A Major | 1 | 11B | 113 BPM | ||
| Concerto in A minor a 4 violini: 3. Largo | Giuseppe Torelli, Musica Antiqua Köln, Reinhard Goebel | E♭ Major | 1 | 5B | 78 BPM | ||
| The Secund Tuning: I. Mounsiers Almaine | William Corkine, Jordi Savall | F Major | 0 | 7B | 57 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Galliard (no.21) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | B Major | 0 | 1B | 134 BPM | ||
| Mystery Sonata No. 7 "The Scourging at the Pillar": II. Sarab. Variation | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | ||
| Trio in E-Flat Major, TWV 42:Es1: I. Affetuoso | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | B Minor | 1 | 10A | 96 BPM | ||
| Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
| Rosary Sonata No. 1 in D Minor "Mariæ Verkündigung": I. Praeludium | Heinrich Ignaz Franz von Biber, Leila Schayegh, La Centifolia | D♭ Minor | 1 | 12A | 129 BPM | ||
| Pieces de Viole, Book 2, Suite No. 3: VII. Menuet | Roland Marais, Petr Wagner, Ensemble Tourbillon | B♭ Minor | 0 | 3A | 101 BPM | ||
| Four Duets Wq. 115: 4. Allegro | Carl Philipp Emanuel Bach, Christopher Hogwood, Christophe Rousset | D♭ Major | 2 | 3B | 134 BPM | ||
| Amor se questa sera | Francesca Campana, Les Kapsber'girls | F♯ Minor | 1 | 11A | 79 BPM | ||
| Quatrième suite in A Minor: No. 1, Prélude | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Minor | 1 | 1A | 86 BPM |