"Finale" by Bernard Herrmann had its release date on January 1, 1997. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Psycho (The Complete Original Motion Picture Score)". In this album, this song's track order is #40. Finale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Finale by Bernard Herrmann having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Looks Like Rain | Roque Baños | C Major | 0 | 8B | 57 BPM | ||
| The Beach | Bernard Herrmann | D Minor | 1 | 7A | 78 BPM | ||
| Colonel Stuart | Michael Kamen | E Minor | 2 | 9A | 171 BPM | ||
| Stellar Drive | Trayus Digital | A Minor | 2 | 8A | 63 BPM | ||
| No Firme And Pirate Ship | Dave Grusin | C Major | 3 | 8B | 59 BPM | ||
| Kidnapped | Bernard Herrmann | B♭ Major | 1 | 6B | 61 BPM | ||
| Insanity | Saleh Sarabov, Saleh Sarab | D♭ Major | 1 | 3B | 65 BPM | ||
| Future Markets | Jonny Greenwood | F Minor | 3 | 4A | 133 BPM | ||
| HANGAR | Atobare | A♭ Major | 4 | 4B | 76 BPM | ||
| Every Thirty Years | Richard Bellis | A Minor | 1 | 8A | 70 BPM | ||
| Love Theme | London Philharmonic Orchestra, Wendy Carlos | C Major | 2 | 8B | 84 BPM | ||
| Avery & Graysmith, Toschi & Armstrong | David Shire | A Major | 2 | 11B | 69 BPM | ||
| Firenze Di Notte | Martin Tillmann, Mel Wesson, The Lyndhurst Orchestra, Gavin Greenaway | D Major | 6 | 10B | 66 BPM | ||
| A Planet | Marc Streitenfeld | B Minor | 2 | 10A | 166 BPM | ||
| Streetcar | Alex North, Ray Heindorf | A♭ Major | 0 | 4B | 86 BPM | ||
| Tron Scherzo | London Philharmonic Orchestra, Wendy Carlos | C Major | 2 | 8B | 90 BPM | ||
| Ray's Occult | Dario Marianelli | F Minor | 1 | 4A | 83 BPM | ||
| A Batman Overture | Elliot Goldenthal | D Minor | 5 | 7A | 90 BPM | ||
| The Curse of Edendale | Disasterpeace | B Major | 1 | 1B | 92 BPM | ||
| Assault of the Earth | Michael Giacchino | G Minor | 1 | 6A | 124 BPM | ||
| Seven Samurai | Fumio Hayasaka | C Major | 2 | 8B | 144 BPM | ||
| That Is The Desert (from "Lawrence Of Arabia") | London Philharmonic Orchestra | A Major | 0 | 11B | 68 BPM | ||
| Love Theme From The Incredible Hulk | Joe Harnell | F Major | 2 | 7B | 69 BPM | ||
| into nighttide | Joseph Warner | C Minor | 0 | 5A | 113 BPM | ||
| Main Title | Alex North | D Minor | 2 | 7A | 114 BPM |