Leigh Nash's 'Chicago' had a release date set for September 18, 2015. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The State I'm In". In this album, this song's track order is #3. Chicago is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Chicago by Leigh Nash having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| devil town | Monica Moser, Carley Rutledge | G Major | 1 | 9B | 142 BPM | ||
| Call It Dreaming | Iron & Wine | F Major | 5 | 7B | 80 BPM | ||
| As Night Comes | Samaire Armstrong | D Major | 2 | 10B | 135 BPM | ||
| Another Country | Tift Merritt | E♭ Major | 4 | 5B | 76 BPM | ||
| Along the Wall | Leigh Nash | E Major | 6 | 12B | 99 BPM | ||
| Go | Glen Phillips | A Major | 2 | 11B | 77 BPM | ||
| Don't Dim Your Light for Anyone | Thea Gilmore | A♭ Major | 1 | 4B | 103 BPM | ||
| Betting on Trains - Remastered 2025 | Hem | D♭ Major | 3 | 3B | 143 BPM | ||
| Novelty | Ken Yates | G Major | 4 | 9B | 110 BPM | ||
| As I Lay Me Down Deux | Sophie B. Hawkins | B♭ Major | 3 | 6B | 80 BPM | ||
| We Belong | Old Sea Brigade | D Major | 2 | 10B | 138 BPM | ||
| Those Final Feet | Cowboy Junkies | A Major | 5 | 11B | 116 BPM | ||
| Going Where the Lonely Go | Robert Plant, Alison Krauss | A♭ Major | 2 | 4B | 60 BPM | ||
| Sweetheart | Molly Parden, Hollow Hum | A Minor | 3 | 8A | 81 BPM | ||
| Minor Things | Leigh Nash | D Major | 4 | 10B | 135 BPM | ||
| You and Me Like Fire | The Sea The Sea, Ages and Ages | C Major | 4 | 8B | 135 BPM | ||
| Gentle Woman | Wilder Adkins | E♭ Major | 4 | 5B | 148 BPM | ||
| Broken White Line | Kris Delmhorst | C Major | 3 | 8B | 71 BPM | ||
| Momentum | Charliana Romers | C Major | 2 | 8B | 134 BPM | ||
| I’ll Always Know I Do | The Hanseroth Twins | B Major | 3 | 1B | 86 BPM | ||
| Under Blue Stars | Chris Trapper | E Major | 5 | 12B | 95 BPM | ||
| Something's Always Wrong - Acoustic | Toad The Wet Sprocket | C Major | 2 | 8B | 134 BPM | ||
| Moved In In My Mind | Rowdy's Rose | C Major | 2 | 8B | 134 BPM | ||
| All These Words | Lucy Clearwater, Lemony Rug | B Major | 2 | 1B | 122 BPM | ||
| Skin | Sean McConnell | D Major | 4 | 10B | 150 BPM |