Walter Trout's 'Marie's Introduction - Live' had a release date set for June 17, 2016. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 16 in ALIVE in Amsterdam (Live) by Walter Trout. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Marie's Introduction - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Marie's Introduction - Live by Walter Trout is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Damned If I Do | Gary Hoey, Lance Lopez | D♭ Major | 8 | 3B | 118 BPM | ||
| Drowning at the Bottom | Albert Castiglia | C Major | 9 | 8B | 91 BPM | ||
| 12 Gauge | Dom Martin | E Major | 8 | 12B | 133 BPM | ||
| Goin' Down to the River | Bryce Janey | A Major | 8 | 11B | 113 BPM | ||
| Complicated Woman | Mick Clarke | G Major | 8 | 9B | 104 BPM | ||
| Blackest Day | Joanne Shaw Taylor | F♯ Minor | 5 | 11A | 144 BPM | ||
| I'm Torn Down | Jeff Healey | F Minor | 9 | 4A | 139 BPM | ||
| Anything But Time | Matt Schofield | F Minor | 7 | 4A | 123 BPM | ||
| When Ignorance Turns to Bliss | Eric Steckel | A♭ Minor | 7 | 1A | 148 BPM | ||
| Love Is | Tommy Castro, The Painkillers | F Minor | 8 | 4A | 99 BPM | ||
| Too Late | Guitar Shorty | C Major | 8 | 8B | 92 BPM | ||
| Ninety-Nine and One Half | Tommy Castro | A Major | 6 | 11B | 102 BPM | ||
| I Just Want To Make Love To You | Peter Frampton Band, Kim Wilson | E Minor | 5 | 9A | 85 BPM | ||
| Howlin' Wind | Julian Sas | B♭ Major | 6 | 6B | 129 BPM | ||
| I Can't Stay (& You can't Go) | Quinn Sullivan | B♭ Minor | 7 | 3A | 110 BPM | ||
| Desperate Heart | Trampled Under Foot | D Minor | 5 | 7A | 190 BPM | ||
| Medicine Man | Bryce Janey | F Major | 7 | 7B | 135 BPM | ||
| I Got Your Number | Guitar Shorty | D Major | 7 | 10B | 105 BPM | ||
| Lonesome Road | Robin Trower | G Major | 4 | 9B | 168 BPM | ||
| We Used to Know | Ana Popovic, Milton Popovic | E Minor | 7 | 9A | 180 BPM | ||
| Watch What You Say | Devon Allman | A Minor | 7 | 8A | 97 BPM | ||
| Gone to Texas | Mike Zito | D Major | 10 | 10B | 118 BPM | ||
| Times Have Changed | Ronnie Baker Brooks, Al Kapone | A Major | 8 | 11B | 87 BPM | ||
| Waiting For The Dawn | Walter Trout | A Minor | 9 | 8A | 117 BPM | ||
| Working Man's Blues | Julian Sas | A Major | 8 | 11B | 111 BPM |