"Go Kill Yourself" by Mark Martin had its release date on September 15, 2020. Go Kill Yourself is explicit and may not be suitable for children. With the duration being about 4:02, this song is close to the average duration of a typical track. The track order of this song in Mark Martin's "My Hate Is For You" album is number 4 out of 8. Go Kill Yourself is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Go Kill Yourself by Mark Martin to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Haunted Foes | Rys | G Minor | 7 | 6A | 160 BPM | ||
| There's a Long Way to Go | En Minor | C Minor | 3 | 5A | 119 BPM | ||
| The Will to Die | Funeral | E Minor | 8 | 9A | 130 BPM | ||
| Lazy Day | Specific G | B♭ Minor | 5 | 3A | 113 BPM | ||
| Of Blood and Darkness We Are Born | Inquisition | F Major | 10 | 7B | 132 BPM | ||
| Eleos | Suldusk | E Major | 3 | 12B | 120 BPM | ||
| Almost Midnight | Hazzell | C Minor | 2 | 5A | 183 BPM | ||
| UltraChurch (ULTRAKILL) (Original Game Soundtrack) | Keygen Church | E Major | 10 | 12B | 184 BPM | ||
| Procession Of The Dead Clowns | Blut Aus Nord | A♭ Major | 9 | 4B | 65 BPM | ||
| Roads Become Rivers | Rothko | E Minor | 3 | 9A | 114 BPM | ||
| Getting Away (From This World) | Ratcat | F Major | 7 | 7B | 73 BPM | ||
| Ritual I | Amenra | B Major | 8 | 1B | 122 BPM | ||
| Matrem Amator | Quantrumerium | G Major | 7 | 9B | 76 BPM | ||
| Pure | London After Midnight, Sean Brennan | C Major | 5 | 8B | 90 BPM | ||
| La Tercera Joya Desde El Sol | La Barranca | B Minor | 6 | 10A | 127 BPM | ||
| Doomsday Clock | Conquering Dystopia | D♭ Minor | 2 | 12A | 101 BPM | ||
| Coagula | Zeal & Ardor | G Major | 6 | 9B | 127 BPM | ||
| Telepath | Boards of Canada | B♭ Major | 6 | 6B | 113 BPM | ||
| Mental Central Dialog | Lifelover | C Major | 8 | 8B | 145 BPM | ||
| Nunc Stans | Cynic | D♭ Major | 6 | 3B | 111 BPM | ||
| Vinddans | Ben Junction, Cafe De Anatolia | D♭ Major | 3 | 3B | 108 BPM | ||
| Stuck In A Dark Place | Mark Martin | D Major | 9 | 10B | 140 BPM | ||
| A Bloodsword and a Colder Sun, Pt 2 | Mayhem | A Major | 7 | 11B | 129 BPM | ||
| When Love Comes to Play | Erin Krebs, Mark Martin, Justin Zopel, Michael Underwood, Jeff Johnston | A Minor | 3 | 8A | 86 BPM | ||
| Sukkal | Júlio Victor | A Minor | 10 | 8A | 120 BPM |