On January 1, 1967, the song "Mere Bechain Dil Ko Chain" was released by Mohammed Rafi, Kalyanji-Anandji. This song is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. The song is number 3 out of 6 in Aamne Saamne by Kalyanji-Anandji. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Mere Bechain Dil Ko Chain is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Mere Bechain Dil Ko Chain by Mohammed Rafi, Kalyanji-Anandji is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mausam Hai Baharon Ka | Mahendra Kapoor, Balbir, Kalyanji-Anandji | A Major | 7 | 11B | 92 BPM | ||
| Naam Aapka Hothon Pe Hai | Rehana | E Major | 5 | 12B | 143 BPM | ||
| Hamne Jag Ki Ajab Tasveer Dekhi | Pradeep | B Minor | 5 | 10A | 142 BPM | ||
| O Zindagi Ke Denewale | Hemant Kumar | F Minor | 5 | 4A | 72 BPM | ||
| Tere Dar Ko Chhod Chale | Pankaj Udhas | C Minor | 7 | 5A | 153 BPM | ||
| Ae Dil Kise Sunaoon | Suraiya | A Major | 4 | 11B | 61 BPM | ||
| Sawere Vali Gaadi Se | Mohammed Rafi | B♭ Major | 5 | 6B | 116 BPM | ||
| Jiska Koi Nahin - Kishore Kumar | Kishore Kumar, Kalyanji-Anandji | F Minor | 5 | 4A | 88 BPM | ||
| Jhuke Jo Tere Naina | Mahendra Kapoor, Usha Khanna, Kalyanji-Anandji | A♭ Major | 6 | 4B | 126 BPM | ||
| Pardesiyon Se Na Ankhiyan Milana - Sad | Mohammed Rafi, Kalyanji-Anandji | G Minor | 3 | 6A | 142 BPM | ||
| Maine Bhi Ek Geet Likha Hai | Shabbir Kumar | B♭ Minor | 7 | 3A | 154 BPM | ||
| Awaaz Humari | Kavita Krishnamurthy, Anuradha Paudwal | E Minor | 8 | 9A | 121 BPM | ||
| Ae Chand Zara Chhup Ja | Asha Bhosle, Mohammed Rafi | D♭ Major | 6 | 3B | 99 BPM | ||
| Pyar Ka Samay Kam Hai Jahan | Kishore Kumar, Lata Mangeshkar, Mohammed Rafi, R. D. Burman | B Minor | 4 | 10A | 119 BPM | ||
| Dekho Pyar Men Aesa Nahin Karte | Amit Kumar, Alka Yagnik | G Major | 4 | 9B | 80 BPM | ||
| Tere Kooche Mein Tera Deewana | Mohammed Rafi | D Major | 5 | 10B | 142 BPM | ||
| Akele Hi Akele Chala Hai Kahan - With Dialogue | Lata Mangeshkar, Kalyanji-Anandji | A♭ Major | 6 | 4B | 92 BPM | ||
| Yun Na Sharma Phailade | Kishore Kumar, Mohammed Rafi | A♭ Major | 3 | 4B | 75 BPM | ||
| Na Jao Saiyan Chhuda Ke Baiyan | Geeta Dutt, Hemant Kumar | D Major | 2 | 10B | 90 BPM | ||
| Rulakar Chal Diye Ek Din | Hemant Kumar | E♭ Major | 7 | 5B | 140 BPM | ||
| Kuch Bhi Na Kaha | Noor Jehan | D♭ Minor | 6 | 12A | 92 BPM | ||
| Resham Ki Dori | Lata Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal | A♭ Major | 6 | 4B | 73 BPM | ||
| So Ja Chup Ho Ja | Anuradha Paudwal, Kumar Sanu | A Minor | 5 | 8A | 118 BPM | ||
| Mitwa Re Mitwa ( Part 1) - Jawaab / Soundtrack Version | Pankaj Udhas | F Minor | 7 | 4A | 108 BPM | ||
| Ek Doosre Mein Aao | Anuradha Paudwal, Anand | C Major | 5 | 8B | 92 BPM |