"A Time to Dance: XVII. Autumnal" by Alec Roth, Jeffrey Skidmore, Ex Cathedra had its release date on January 29, 2016. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 29 in Alec Roth: A Time to Dance & Other Choral Works by Alec Roth, Ex Cathedra, Jeffrey Skidmore. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, A Time to Dance: XVII. Autumnal's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Time to Dance: XVII. Autumnal by Alec Roth, Jeffrey Skidmore, Ex Cathedra is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | E Minor | 1 | 9A | 81 BPM | ||
| Amen | Laestadian Lutheran Church, Anna-Kaisa Roiko | G Major | 1 | 9B | 148 BPM | ||
| They are All Gone into the World of Light | John Tavener, Wells Cathedral Choir, Matthew Owens | C Major | 1 | 8B | 79 BPM | ||
| The First Child: Ignored by time | Donnacha Dennehy, Irish National Opera, Crash Ensemble, Ryan McAdams | B♭ Major | 1 | 6B | 135 BPM | ||
| Miserere, Op.44: 6. Domine Deus noster-Molto lento. Poco più mosso, ma lento assai | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 126 BPM | ||
| Ten Poems on Texts by Revolutionary Poets, Op. 88: No. 5: To Those Condemned to Death | Dmitri Shostakovich, Chorus of the Academy of Choral Arts, Victor Popov | A Major | 0 | 11B | 77 BPM | ||
| Lassus : "Ove d'altra montagna ombra non tocchi" | Orlande de Lassus, Wolfgang Helbich & Alsfeld Vocal Ensemble, Wolfgang Helbich | E♭ Major | 0 | 5B | 86 BPM | ||
| Evening Service in G Minor, Z. 231: II. Nunc dimittis | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
| Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | ||
| The Trisagion Hymn | Alexander Pierce Hill, Apollo5 | A Minor | 1 | 8A | 82 BPM | ||
| Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
| La Lluvia También Llora | Memoribio | E♭ Minor | 6 | 2A | 102 BPM | ||
| French: Dormant | Jacob French, Joel Cohen, Boston Camerata | D Major | 2 | 10B | 97 BPM | ||
| O mors, ero mors tua | Guillaume Bouzignac, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | E♭ Major | 2 | 5B | 65 BPM | ||
| Vespro della Beata Vergine, SV 206: Conclusio (versiculum et responsorium) "Domine, exaudi orationem meam" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Renaud Brès | D Major | 2 | 10B | 99 BPM | ||
| Lacrimosa son io, D. 131b | Franz Schubert, Ensemble Pygmalion, Bernarda Fink, Raphael Pichon | F Major | 1 | 7B | 131 BPM | ||
| Vespers (All-Night Vigil), Op. 37: VII. Glory to God in the Highest | Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers | E♭ Major | 0 | 5B | 134 BPM | ||
| Salvator mundi I | Quire of Voyces | A♭ Minor | 3 | 1A | 94 BPM | ||
| Miserere, Op. 44: 7. Domine Deus noster-Molto lento. Lento maestoso | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 163 BPM | ||
| 6 Sprüche, Op. 79 (Ed. J. Jordan): No. 2, Am Neujahrstage | Felix Mendelssohn, Westminster Williamson Voices, James Jordan | D Minor | 1 | 7A | 83 BPM | ||
| Miserere mihi, Domine: Miserere mihi, Domine | William Byrd, Stile Antico | E♭ Major | 1 | 5B | 82 BPM | ||
| Ochre: VII. Geothite | Caroline Shaw, The Crossing, Donald Nally, Dan Schwartz | D Major | 1 | 10B | 128 BPM | ||
| poor hymnal: No. 3, our hearts tell us | David Lang, The Crossing, Donald Nally | C Minor | 0 | 5A | 129 BPM | ||
| Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Gloria in D Major: Et in terra | Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | D Major | 0 | 10B | 84 BPM |