On October 11, 1996, the song "SLAUGHTER HOUR - (AREA7)" was released by ZUNTATA. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. There is only one song in レイストーム, so we believe that "SLAUGHTER HOUR - (AREA7)" is a single. The popularity of SLAUGHTER HOUR - (AREA7) is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of SLAUGHTER HOUR - (AREA7) by ZUNTATA is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Last Battle -Emilia- | 伊藤 賢治 | F♯ Minor | 8 | 11A | 149 BPM | ||
| Challenger 1985 (ステージ1BGM) / グラディウス | コナミ矩形波倶楽部 | D♭ Minor | 7 | 12A | 150 BPM | ||
| Ritmos en Desorden | VATI MAN | A♭ Major | 9 | 4B | 160 BPM | ||
| Der Hauptmann | Masashi Hamauzu | E Minor | 5 | 9A | 114 BPM | ||
| Lifemother | Jordan Chin | A♭ Major | 9 | 4B | 160 BPM | ||
| Forty Degrees | Angy Melodies | F Major | 7 | 7B | 129 BPM | ||
| AQUARIUS [海上のテーマ] | ZUNTATA | D Major | 10 | 10B | 152 BPM | ||
| HIGH FRUCTOSE FEVER | GUMSHOE, josee | A♭ Major | 9 | 4B | 160 BPM | ||
| Era Calling | Melos Han-Tani | F♯ Minor | 2 | 11A | 126 BPM | ||
| That's What I Heard | Blue Summers | C Minor | 6 | 5A | 120 BPM | ||
| STEPS AHEAD | karu., ZUNTATA | C Minor | 9 | 5A | 139 BPM | ||
| オープニングタイトル | 伊藤 賢治 | E Major | 3 | 12B | 93 BPM | ||
| Brilliant Show Window | Kawakami Ryo | G Minor | 6 | 6A | 160 BPM | ||
| Green Table | JonnMusic | F Major | 7 | 7B | 80 BPM | ||
| 手がかり | Kenji Kawai | B Major | 9 | 1B | 147 BPM | ||
| Donde Todo Coincide | VATI MAN | A♭ Major | 9 | 4B | 160 BPM | ||
| Field of Exper | 桜庭 統 | E Minor | 4 | 9A | 88 BPM | ||
| End Titles | ZUNTATA | A Major | 3 | 11B | 180 BPM | ||
| Aiming for the Future | Falcom Sound Team jdk | A♭ Major | 6 | 4B | 135 BPM | ||
| Arena y Cemento | SonderRs | D Minor | 5 | 7A | 100 BPM | ||
| Eden Boss | Miguelangell960 | D Major | 9 | 10B | 115 BPM | ||
| Destroy Them All (Stage 6) | コナミ矩形波俱楽部 | B♭ Minor | 6 | 3A | 102 BPM | ||
| 灰の怪物 | Kenji Kawai | A Minor | 7 | 8A | 108 BPM | ||
| Music Plot Type Three | COSIO, ZUNTATA | C Major | 9 | 8B | 133 BPM | ||
| Mission to the Deep Space | 桜庭 統 | E Minor | 9 | 9A | 150 BPM |