The Forecast's 'Seating Subject To Availability' had a release date set for May 17, 2005. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The Forecast's "Late Night Conversations" album is number 1 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Seating Subject To Availability is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Seating Subject To Availability by The Forecast to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| To Say Something That Means Nothing to Anyone at All | Moneen | E Major | 6 | 12B | 176 BPM | ||
| Don't Push Love Away | The Juliana Theory | D Major | 7 | 10B | 187 BPM | ||
| The Ghost You Are | Park | B Minor | 9 | 10A | 161 BPM | ||
| The Quiet Things That No One Ever Knows | Brand New | F♯ Major | 8 | 2B | 80 BPM | ||
| Those Days You Felt Alive | Spitalfield | D♭ Major | 10 | 3B | 178 BPM | ||
| Convinced I'm Wrong | Polar Bear Club | D Major | 8 | 10B | 155 BPM | ||
| Summertime | Mae | D Major | 9 | 10B | 134 BPM | ||
| So I Finally Decided To Give Myself A Reason | I Can Make A Mess | F♯ Major | 5 | 2B | 138 BPM | ||
| Montreal | Captain We're Sinking | E♭ Minor | 9 | 2A | 169 BPM | ||
| Life's a Garden, Let's Dig It | The Forecast | A Major | 9 | 11B | 167 BPM | ||
| Exhibit of the Year | Down To Earth Approach | D Major | 10 | 10B | 155 BPM | ||
| Don't Forget To Set Your House On Fire Before You Crawl Into Bed | The Junior Varsity | E Major | 9 | 12B | 178 BPM | ||
| Planning a Prison Break | The Receiving End Of Sirens | A♭ Major | 9 | 4B | 91 BPM | ||
| Surprise, Surprise | The Starting Line | A♭ Major | 10 | 4B | 126 BPM | ||
| For The Workforce, Drowning | Thursday | D Minor | 9 | 7A | 95 BPM | ||
| Sun | Mae | A Major | 7 | 11B | 107 BPM | ||
| Young.Brash.Hopeful. | Fairweather | G Major | 9 | 9B | 118 BPM | ||
| Trivet | Park | D Major | 9 | 10B | 166 BPM | ||
| Eleven to Your Seven | Hey Mercedes | A Major | 9 | 11B | 152 BPM | ||
| Kill My Compass | Daytrader | F♯ Minor | 9 | 11A | 81 BPM | ||
| Just Until Sundown | Further Seems Forever | B♭ Major | 9 | 6B | 183 BPM | ||
| The Monkey Versus the Robot | Piebald | C Major | 8 | 8B | 144 BPM | ||
| Smile, You've Won | Lydia | B Minor | 7 | 10A | 151 BPM | ||
| When Paula Sparks | Copeland | D Major | 5 | 10B | 116 BPM | ||
| The Only Thing I Have | Ace Enders, A Million Different People | A♭ Minor | 9 | 1A | 131 BPM |