Jeremy Cullen's 'The Spaceport (From Doomsday Vault Original Game Soundtrack)' had a release date set for April 24, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 8 in Doomsday Vault (Original Game Soundtrack) by Jeremy Cullen. The popularity of The Spaceport (From Doomsday Vault Original Game Soundtrack) is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Spaceport (From Doomsday Vault Original Game Soundtrack) by Jeremy Cullen is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chorale | Jeremy Cullen | E Minor | 0 | 9A | 134 BPM | ||
| Forgotten we’ll be – Letter from the Father - piano version | Zbigniew Preisner, Dominik Wania | G Major | 1 | 9B | 63 BPM | ||
| Baroque Voyage | Matteo Myderwyk | B♭ Minor | 3 | 3A | 143 BPM | ||
| Memory Lake | Woonai | A Minor | 1 | 8A | 91 BPM | ||
| Whispered Notes | Kokoro Shimizu | C Major | 0 | 8B | 114 BPM | ||
| Who is it? | Estrell Dami | B Major | 1 | 1B | 79 BPM | ||
| Almost Unsaid | Selina Meyer | C Major | 0 | 8B | 114 BPM | ||
| Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM | ||
| Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 148 BPM | ||
| Spiegel im Spiegel - Version for Violin and Piano | Arvo Pärt, Vladimir Spivakov, Sergej Bezrodny | F Major | 0 | 7B | 71 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
| Prelude No. 23 in D Minor (From 24 Preludes) | Jeremy Cullen | D Major | 0 | 10B | 171 BPM | ||
| Thirteen | Stephan Moccio | A Minor | 0 | 8A | 107 BPM | ||
| Pinceladas De Sangre | Xamadeur | C Minor | 4 | 5A | 80 BPM | ||
| Piano Sonata No. 9: II. Lento | Anis Fuleihan, Tatiana Primak-Khoury | B Minor | 0 | 10A | 86 BPM | ||
| Peaceful Sleep | Lullaby Sleep | C Major | 0 | 8B | 114 BPM | ||
| Three Postludes (1981/82): Postlude No. 3 | Valentin Silvestrov, Anja Lechner, Silke Avenhaus | D Major | 0 | 10B | 70 BPM | ||
| Luminous Lullaby | Frank Silva | B♭ Minor | 0 | 3A | 131 BPM | ||
| Voice in my hands | Sereneer | C Major | 0 | 8B | 114 BPM | ||
| Glows | HoKø | F♯ Minor | 0 | 11A | 91 BPM | ||
| Enfantines, B. 49: Dream | Ernest Bloch, Corinna Simon | F Minor | 0 | 4A | 116 BPM | ||
| Per Te | Jim Sande | G Minor | 0 | 6A | 100 BPM | ||
| Water Variations and Theme: Variation II | Oliver Davis, Beth & Flo | C Minor | 1 | 5A | 117 BPM | ||
| Flutter Waltz | Brie Sullivan | C Major | 2 | 8B | 120 BPM | ||
| Hujan | Wilson Trouvé | A Major | 1 | 11B | 175 BPM |