Piano Sonata No. 8 in C minor, Op. 13 "Pathetique": III. Rondo: Allegro: Rondo: Allegro
Alan Hobbins
Alan Hobbins Plays Beethoven
4:37 September 6, 2012
BPM
98
Key
C Minor
Camelot
5A

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Piano Sonata No. 8 in C minor, Op. 13 "Pathetique": III. Rondo: Allegro: Rondo: Allegro by Alan Hobbins Song Details

Alan Hobbins's 'Piano Sonata No. 8 in C minor, Op. 13 "Pathetique": III. Rondo: Allegro: Rondo: Allegro' had a release date set for September 6, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 11 in Alan Hobbins Plays Beethoven by Alan Hobbins. In terms of popularity, Piano Sonata No. 8 in C minor, Op. 13 "Pathetique": III. Rondo: Allegro: Rondo: Allegro is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Piano Sonata No. 8 in C minor, Op. 13 "Pathetique": III. Rondo: Allegro: Rondo: Allegro by Alan Hobbins is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-25.667 dB
Acousticness
99%
Danceability
32%
Energy
9%
Instrumentalness
90%
Liveness
24%
Loudness
57%
Speechiness
4%
Valence
26%

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Label
L-M Records/RCA Records