Mindy Smith's 'Come To Jesus' had a release date set for January 1, 2004. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "One Moment More". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Come To Jesus's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Come To Jesus by Mindy Smith having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lay My Burden Down | Alison Krauss & Union Station | E Major | 3 | 12B | 92 BPM | ||
| Hard Times | Gillian Welch | F♯ Major | 2 | 2B | 134 BPM | ||
| The Mighty Storm | Peter Bradley Adams | C Minor | 6 | 5A | 144 BPM | ||
| Troubled Mind | Catie Curtis | A Major | 2 | 11B | 147 BPM | ||
| Mercy Now | Mary Gauthier | A Major | 3 | 11B | 76 BPM | ||
| Buckets of Rain | Redbird | F Major | 3 | 7B | 92 BPM | ||
| If I Could Talk To A Younger Me | Béla Fleck, Abigail Washburn | A♭ Major | 3 | 4B | 135 BPM | ||
| Closer | Mindy Smith | A Major | 6 | 11B | 82 BPM | ||
| Darkness, Darkness | Escondido | A Major | 1 | 11B | 178 BPM | ||
| Down To The River To Pray - From “O Brother, Where Art Thou” Soundtrack | Alison Krauss | E Major | 2 | 12B | 132 BPM | ||
| Ring Them Bells | Sarah Jarosz | B Major | 3 | 1B | 164 BPM | ||
| That I May See Your Face | Deliverance Sisters | A♭ Major | 0 | 4B | 81 BPM | ||
| It's Amazing | Mindy Smith | A Major | 5 | 11B | 139 BPM | ||
| Good Trouble | Leigh Nash, Ruby Amanfu | B Major | 4 | 1B | 120 BPM | ||
| Lean in Toward the Light | Carrie Newcomer | C Major | 6 | 8B | 144 BPM | ||
| As The Crow Flies | Meg Hutchinson | E Major | 1 | 12B | 132 BPM | ||
| Deep Blue Sea | Dead Horses | G Major | 3 | 9B | 139 BPM | ||
| Brokedown Palace | Joan Osborne | C Major | 3 | 8B | 120 BPM | ||
| Long Way | Antje Duvekot | A♭ Major | 3 | 4B | 82 BPM | ||
| Return | Natalie Hemby | B♭ Major | 7 | 6B | 78 BPM | ||
| Prayer Without Words | Mary Gauthier | D Major | 9 | 10B | 200 BPM | ||
| Move Me | Sara Watkins | C Minor | 5 | 5A | 80 BPM | ||
| Holy Now | Peter Mayer | B Minor | 2 | 10A | 138 BPM | ||
| Ooh Child - Alternate Version | Beth Orton | G Minor | 3 | 6A | 127 BPM | ||
| Seasons | Burlap To Cashmere | F♯ Major | 6 | 2B | 102 BPM |