Kumar Bapi's ' "Pata Odhanire Punei Janha" was released on its scheduled release date, January 9, 2026. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Pata Odhanire Punei Janha only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. In terms of popularity, Pata Odhanire Punei Janha is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Pata Odhanire Punei Janha by Kumar Bapi having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Premare Prathama Thara | Dr. Pratyush Ranjan Bagh, Diptirekha Padhi | B♭ Major | 7 | 6B | 104 BPM | ||
| Nila Nayana | Shakti Mishra | D♭ Major | 6 | 3B | 102 BPM | ||
| To Aakhi Mo Aaina - From "Gupchup" | Satyajeet Pradhan, Amrita Nayak, Nabs & Saroj | G Minor | 8 | 6A | 76 BPM | ||
| Hrudaya Aei Alekha | Bibhu Kishore, Ira Mohanty | B Minor | 9 | 10A | 103 BPM | ||
| Akhi Maage Manjuri | Abushan Mohanty, Ananya Sritam Nanda | A Major | 9 | 11B | 138 BPM | ||
| Dura Aakashare Janha | Babushan | B♭ Minor | 6 | 3A | 115 BPM | ||
| Jibanata Dhuan Dhuan | Babushaan Mohanty | A♭ Minor | 9 | 1A | 84 BPM | ||
| Bhala Pauchu Ki | S Jitu, Arpita Choudhury | B Minor | 8 | 10A | 130 BPM | ||
| Sunday Re Setting | BISHNU MOHAN KABI, Suman | E Major | 9 | 12B | 138 BPM | ||
| Aiela Re Jhuluru Bali | Bibhu Kishore, Navia | A♭ Minor | 9 | 1A | 79 BPM | ||
| Ama Gaan Ananta - From "Ananta" | Abhijit Majumdar, Nirmal Nayak | F♯ Major | 7 | 2B | 72 BPM | ||
| Rupa Sagadirey Suna Kaniya | Mohammed Aziz | F♯ Minor | 6 | 11A | 116 BPM | ||
| Malliphula Kanchana | Bhuban Mahanand, Sanju Mohanty | C Minor | 10 | 5A | 136 BPM | ||
| To Hrudaya Kichhi Kahila | Abhijit, Namita Agrawal | B Minor | 7 | 10A | 80 BPM | ||
| Jagannathe Ho Mun Jadi Tuma Jhia Huanti | Namita Agrawal | D Minor | 6 | 7A | 149 BPM | ||
| To Premare Thila Kete Chhalana | Udit Narayan | G Major | 8 | 9B | 84 BPM | ||
| Mana Mo Ma Emiti Eka | Babul Supriyo, Pamela Jain | D♭ Minor | 9 | 12A | 170 BPM | ||
| O Re Mehruban - From "Mal Mahu Jiban Mati" | Abhijit Majumdar, Swayam Padhi, Sohini Mishra | A Minor | 7 | 8A | 81 BPM | ||
| Nila Nayana | Abhijit Bhattacharya | B Major | 3 | 1B | 130 BPM | ||
| Ama Prema Ku Sindura Chundela | Diptirekha, Kumar Bapi | B♭ Minor | 9 | 3A | 79 BPM | ||
| Mun To Hero Gori | Adwait Aarav Dash, Sidhhiksha Praharaj | G Minor | 8 | 6A | 92 BPM | ||
| Gori Jhumuru Jhumuru | Sonu Nigam, Pamela Jain | A♭ Minor | 8 | 1A | 128 BPM | ||
| Nabama Sreni Jhiata | Bibhu Kishore | G Minor | 10 | 6A | 146 BPM | ||
| Mate Anidela Lakhe Phaguna | Kumar Bapi, Tapu Mishra | A♭ Minor | 8 | 1A | 83 BPM | ||
| Tu Buni Heigalu Mo Bata Sara | Sabisesh Mishra, Diptirekha Padhi | B♭ Minor | 8 | 3A | 156 BPM |