SNK SOUND TEAM's ' "Epilogue 7 (Team SOUTH TOWN Ending)" was released on its scheduled release date, February 20, 2025. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Epilogue 7 (Team SOUTH TOWN Ending)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 100 in the song's album "THE KING OF FIGHTERS XIV ORIGINAL SOUNDTRACK". In this album, this song's track order is #52. Furthermore, we believe that the track originated from Japan. Based on our statistics, Epilogue 7 (Team SOUTH TOWN Ending)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Epilogue 7 (Team SOUTH TOWN Ending) by SNK SOUND TEAM having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| DARK NECROBAT STAGE | Naoto Tanaka | F Minor | 9 | 4A | 136 BPM | ||
| SHINING TIGERD STAGE | Kinuyo Yamashita | F♯ Major | 10 | 2B | 196 BPM | ||
| Grahf -Ruler of Darkness- | Yasunori Mitsuda | F Major | 0 | 7B | 119 BPM | ||
| Little Money Avenue (Unused Track) | Yuzo Koshiro | D♭ Major | 7 | 3B | 112 BPM | ||
| Early Bird (Junkit Remix) | Rayagon, Tommy Tallarico | E Minor | 5 | 9A | 119 BPM | ||
| Blood for Glory | Tee Lopes | D Minor | 10 | 7A | 100 BPM | ||
| Enemy Hall | INTI CREATES | A Minor | 10 | 8A | 134 BPM | ||
| Sector Y and Solar (From "Star Fox 64 GMB Cinematic Soundtrack") | Star Fox 64, GMB Sound Team | E Minor | 3 | 9A | 135 BPM | ||
| Ruined Streets (Megaman 7) | Metalltool | G Major | 9 | 9B | 105 BPM | ||
| Dear Falling Angel (Boss Theme) | SNK SOUND TEAM | A Minor | 9 | 8A | 141 BPM | ||
| Crocodile Cacophony (From "Donkey Kong Country 2") | Good Knight Productions | D Major | 10 | 10B | 117 BPM | ||
| Angel On My Shoulder | TotalJunk | D♭ Major | 3 | 3B | 95 BPM | ||
| Resistance | INTI CREATES | D Major | 6 | 10B | 150 BPM | ||
| The Courtyard - 2021 Remaster | Dan Forden | C Major | 5 | 8B | 129 BPM | ||
| Top Gear: Hiroshima | Barry Leitch | B Minor | 6 | 10A | 157 BPM | ||
| Izayoi | Hirofumi Murasaki Morihiko Akiyama & Masayuki Nagao | G Minor | 6 | 6A | 150 BPM | ||
| Shinobi | Hirofumi Murasaki Morihiko Akiyama & Masayuki Nagao | G Minor | 6 | 6A | 150 BPM | ||
| Black Soup | Hiroki Kikuta | F Major | 10 | 7B | 132 BPM | ||
| Cyber Space | Umegaki Runa | F♯ Major | 9 | 2B | 208 BPM | ||
| Beach Bunny! | Alexander Brandon | D Major | 10 | 10B | 125 BPM | ||
| Lava Reef Zone Act 1 | Tee Lopes | A Minor | 9 | 8A | 128 BPM | ||
| Violent Breathing | YUZO KOSHIRO | B♭ Minor | 9 | 3A | 128 BPM | ||
| Tangerine | Tommy Tallarico | D♭ Major | 9 | 3B | 140 BPM | ||
| Submerged | Tommy Tallarico | B♭ Minor | 9 | 3A | 170 BPM | ||
| SCISSORS SHRIMPER STAGE | Kinuyo Yamashita | A♭ Major | 10 | 4B | 191 BPM |