- BPM
- 133
- Key
- D♭ Major
- Camelot
- 3B
This is New by John Reardon, Rise Stevens Song Details
"This is New" by John Reardon, Rise Stevens had its release date on 1941. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. This is New's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Studio Cast of Lady in the Dark (1963)'s "Lady in the Dark (Studio Cast Recording (1963))" album is number 7 out of 19. On top of that, United States appears to be the country where this track was created. Based on our statistics, This is New's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of This is New by John Reardon, Rise Stevens to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -15.755 dB
- Acousticness
- 96%
- Danceability
- 35%
- Energy
- 27%
- Instrumentalness
- 0%
- Liveness
- 31%
- Loudness
- 74%
- Speechiness
- 5%
- Valence
- 12%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | |
 | Now (Act One) | Alexander Hanson, Ramona Mallory | D♭ Major | 3 | 3B | 168 BPM | |
 | Coffee Break | Charles Nelson Reilly, Claudette Sutherland, How to Succeed in Business Without Really Trying Ensemble | F Major | 3 | 7B | 115 BPM | |
 | Broken Souls | wangyaolong | F Major | 2 | 7B | 80 BPM | |
 | H.M.S. Pinafore / Act 1: Sorry her lot who loves too well | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 1 | 7B | 91 BPM | |
 | Maxim's | Leo Stein, Victor Leon, John Reardon, Franz Allers, The American Opera Society Orchestra | G Major | 2 | 9B | 85 BPM | |
 | 2. Iolanthe! From thy dark exile | Arthur Sullivan, Jennifer Toye, Pauline Wales, Gillian Knight, Yvonne Newman, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 1 | 12B | 140 BPM | |
 | Strange Music | John Reardon, Helena Scott | G Major | 3 | 9B | 87 BPM | |
 | The Mikado / Act 2: 22. The sun whose rays are all ablaze | Arthur Sullivan, Valerie Masterson, Royal Philharmonic Orchestra, Royston Nash | G Major | 1 | 9B | 84 BPM | |
 | Falstaff, Act II: E sogno o realtà? | Giuseppe Verdi, Thomas Hampson, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | |
 | You Could Drive a Person Crazy - Live | Anna-Jane Casey, Janie Dee, Josefina Gabriele | A Major | 1 | 11B | 114 BPM | |
 | Die Schöpfung, Hob. XXI:2: Part One: 5. Und Gott sprach: Es sammle sich das Wasser (Rezitativ) - 2017 Remastered Version | Joseph Haydn, Leonard Bernstein, New York Philharmonic, John Reardon | B♭ Major | 1 | 6B | 128 BPM | |
 | Marta | Anthony Crivello, Keith McDaniel, Robert Montano, Dan O'Grady, Raymond Rodriguez, John Norman Thomas, Joshua Finkel, Gary Schwartz, Jerry Christakos, Aurelio Padron | D♭ Major | 1 | 3B | 57 BPM | |
 | Sei ariette da camera: No. 1, Malinconia, ninfa gentile | Vincenzo Bellini, Juan Diego Flórez, Vincenzo Scalera | F Major | 2 | 7B | 80 BPM | |
 | Street Scene: What Good Would the Moon Be? | Kurt Weill, Anne Jeffreys, Maurice Abravanel | D♭ Major | 2 | 3B | 54 BPM | |
 | The Greatest Show on Earth | Adolph Green, John Reardon, Kenneth Bridges, Lady in the Dark Ensemble (1963) | D Major | 5 | 10B | 113 BPM | |
 | Arlen / Arr. Chaplin: Get Happy (From "Summer Stock") | The John Wilson Orchestra, John Wilson | D Major | 5 | 10B | 170 BPM | |
 | Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | |
| Finale Act I | Leo Stein, Victor Leon, Lisa della Casa, John Reardon, Howard Kahl, Paul Richards, Chorus of The Merry Widow, Franz Allers, The American Opera Society Orchestra | G Major | 2 | 9B | 85 BPM | |
 | Adelaides Lament - Remastered 2000 | Vivian Blaine | G Minor | 2 | 6A | 82 BPM | |
 | The Merry Widow: Soldier Boy | Franz Lehár, The American Opera Society Orchestra, Lisa della Casa, John Reardon, The American Opera Society Chorus, Franz Allers | C Major | 2 | 8B | 143 BPM | |
| H.M.S. Pinafore / Act 2: A joy! Oh rapture unforseen | Arthur Sullivan, The D'Oyly Carte Opera Company, Joyce Wright, Thomas Round, Donald Adams, Jeffrey Skitch, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 3 | 7B | 200 BPM | |
 | It's Harry I'm Planning to Marry | Alisa Endsley | G Major | 1 | 9B | 99 BPM | |
 | Girls 'n' Girls 'n' Girls | Inga Swenson, Johnny Laverty, John Reardon, Franca Baldwin, Suzanne Bernard, Virginia Martin | F Major | 4 | 7B | 104 BPM | |
 | Where Is The Life That Late I Led? | Broadway Cast Recording | F Major | 4 | 7B | 76 BPM |
- ISRC
- USSM16300108
- Label
- L-M Records/RCA Records