Arthur Collins's ' "Bill Bailey" was released on its scheduled release date, January 1, 2000. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Bill Bailey's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Collins's "Greatest Songs & Tunes of 1902" album is number 1 out of 21. On top of that, France appears to be the country where this track was created. Bill Bailey is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Bill Bailey by Arthur Collins to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Struttin' blues - Remastered 1988 | Leona Williams | F Major | 1 | 7B | 120 BPM | ||
| It Takes a Good Woman (Recorded October 1926) | Dolly Kay | G Major | 1 | 9B | 121 BPM | ||
| If You Can't Hold The Man You Love (Don't Cry When He's Gone) | Alberta Hunter | B Major | 1 | 1B | 93 BPM | ||
| Hitchy Coo (Edison, 1912) | Arthur Collins | F Major | 4 | 7B | 156 BPM | ||
| Coming In On A Wing And A Prayer | Anne Shelton | E♭ Major | 3 | 5B | 105 BPM | ||
| It Makes No Difference Now - Remastered 1988 | Leona Williams | F♯ Major | 1 | 2B | 76 BPM | ||
| Alabama Jubilee - Remastered | Arthur Collins, Byron Harlan | E Major | 3 | 12B | 126 BPM | ||
| By the Light of the Silvery Moon | Ada Jones | G Major | 3 | 9B | 113 BPM | ||
| Fanlight Fanny | Federick Cliffe, George Formby | A Major | 4 | 11B | 132 BPM | ||
| Lullaby Of Broadway - From "Gold Diggers Of 1935" / Remastered 1992 | Dick Powell, Winifred Shaw, Robert Norberg | E♭ Major | 9 | 5B | 96 BPM | ||
| The Party's Over Now | Noel Coward | B♭ Major | 5 | 6B | 96 BPM | ||
| Who's Who Are You? | Puritan Dance Orchestra | B♭ Major | 5 | 6B | 115 BPM | ||
| It Had to Be You | Isham Jones | G Major | 3 | 9B | 177 BPM | ||
| Poor Papa (Recorded February 1926) | Dolly Kay | C Major | 1 | 8B | 134 BPM | ||
| And I Still Do | Ina Ray Hutton and Her Melodears | F Major | 4 | 7B | 211 BPM | ||
| Ma! (He's Making Eyes at Me) | Eddie Cantor | B♭ Major | 5 | 6B | 96 BPM | ||
| Let's All Go Round to Marianne's (Victor 17537A) [Recorded 1914] | Arthur Collins, Byron Harlan | B♭ Major | 2 | 6B | 127 BPM | ||
| Ain't We Got Fun | Fanny Brice | G Major | 2 | 9B | 67 BPM | ||
| Japanese Sandman: The Japanese Sandman | Richard A. Whiting, Nora Bayes, Charles A. Prince Orchestra | C Major | 0 | 8B | 71 BPM | ||
| Crazy Words - Crazy Tune (Vo-Do-De-O) | Irving Aaronson and His Commanders | E♭ Major | 2 | 5B | 172 BPM | ||
| Oh, Baby! | Hal Kemp And His Orchestra | A♭ Major | 2 | 4B | 176 BPM | ||
| One, Two, Button Your Shoe | Jack Hylton | C Minor | 2 | 5A | 93 BPM | ||
| Any Rags | Arthur Collins | G Major | 5 | 9B | 84 BPM | ||
| Three O' Clock In the Morning | Paul Whiteman | B♭ Major | 5 | 6B | 96 BPM | ||
| The Aba Daba Honeymoon | Arthur Collins | C Major | 3 | 8B | 109 BPM |