Shankar Paudel's ' "Maile Maya" was released on its scheduled release date, July 14, 1999. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "MN Pop Collection-2" album is number 12 out of 12. On top of that, Norway appears to be the country where this track was created. Based on our statistics, Maile Maya's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Maile Maya by Shankar Paudel to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prarthana Mein Tujhse Karu | Sunny Vishwas | G Minor | 6 | 6A | 145 BPM | ||
| Tin Pate | Nirala Tamang | A Minor | 5 | 8A | 93 BPM | ||
| Aadara Mal Pawane | Rookantha Gunathilake | G Minor | 7 | 6A | 114 BPM | ||
| Malathi Wasanthe | Rohana Weerasinghe, Edward Jayakody | D Major | 7 | 10B | 127 BPM | ||
| Priyotama | Kumar Sanu | E♭ Major | 5 | 5B | 87 BPM | ||
| Dudh Na Khele | Chandrabindoo | C Major | 5 | 8B | 122 BPM | ||
| Prabhu Kar Pyar Dekha Re | Pawan Roy, Pankaj Roy, Monika Mundu | A♭ Major | 8 | 4B | 162 BPM | ||
| Wedikawa | Athula adikari, Samitha Mudunkotuwa | G Major | 5 | 9B | 124 BPM | ||
| Pratham Belar | Srikanta Acharya | D Major | 4 | 10B | 154 BPM | ||
| Ashokamala | Chandralekha Perera | A Major | 6 | 11B | 106 BPM | ||
| Kati Maya Lagchha | Shila Bahadur Moktan, Kunti Moktan | A Major | 5 | 11B | 106 BPM | ||
| Tyo Timro Ghar Ko | Yash Kumar | C Major | 5 | 8B | 110 BPM | ||
| Boli Chhaina | Amrit Gurung-nepathya | A Major | 4 | 11B | 134 BPM | ||
| Sathyaye Saddharmaye | Senanayaka Weraliyadda | G Minor | 4 | 6A | 117 BPM | ||
| Dhyantaran | Pralhad Timilsina, Meena Niraula | C Major | 7 | 8B | 110 BPM | ||
| Othama Lali | Shankar Paudel | A Major | 4 | 11B | 150 BPM | ||
| Beqarari | Faisal Latif | D♭ Minor | 4 | 12A | 104 BPM | ||
| Aanichi Khira | Namita Agrawal | F Minor | 8 | 4A | 122 BPM | ||
| Danriye Achho Tumi Amar | Arundhati Holme Chowdhury, Kunal Mitra, Rituparna Sengupta, Abhishek Chatterjee | D♭ Minor | 5 | 12A | 125 BPM | ||
| Milanko Kabita | Prakash Saput | B Minor | 5 | 10A | 66 BPM | ||
| Sugganda Dhoobammai | CPM/TPM | D Major | 5 | 10B | 199 BPM | ||
| Thakeko Yo Najarma | Yash Kumar | G Major | 3 | 9B | 101 BPM | ||
| Rato Ra Chandra Surya | Phatteman | G Major | 5 | 9B | 155 BPM | ||
| Timro Man Badaliye cha | Yash Kumar, Sapana Shree | B♭ Major | 4 | 6B | 147 BPM | ||
| Shubham Karoti Kalyanam | Chorus | C Major | 5 | 8B | 142 BPM |