The Rake's Progress, Act I: I'll Call the Coachman, Sir
Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner
Stravinsky: The Rake's Progress
5:00 August 4, 2017
BPM
133
Key
A Minor
Camelot
8A

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The Rake's Progress, Act I: I'll Call the Coachman, Sir by Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner Song Details

"The Rake's Progress, Act I: I'll Call the Coachman, Sir" by Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner had its release date on August 4, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 29 in the song's album "Stravinsky: The Rake's Progress". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Italy. Based on our statistics, The Rake's Progress, Act I: I'll Call the Coachman, Sir's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Rake's Progress, Act I: I'll Call the Coachman, Sir by Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.

Music Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-17.018 dB
Acousticness
99%
Danceability
28%
Energy
22%
Instrumentalness
0%
Liveness
11%
Loudness
72%
Speechiness
5%
Valence
7%

Recommendations

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ISRC
ITJ099661005
Label
L-M Records/RCA Records