12 Concerti Grossi Opus VI, Concerto 5 In B Flat Major: Largo by Musica Amphion, Rémy Baudet, Pieter-Jan Belder, Sayuri Yamagata, Arcangelo Corelli, Albert Brüggen Song Details

Musica Amphion, Rémy Baudet, Pieter-Jan Belder, Sayuri Yamagata, Arcangelo Corelli, Albert Brüggen's ' "12 Concerti Grossi Opus VI, Concerto 5 In B Flat Major: Largo" was released on its scheduled release date, December 20, 2006. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 23 out of 34 in Corelli, Complete Works Part: 9 by Musica Amphion. In terms of popularity, 12 Concerti Grossi Opus VI, Concerto 5 In B Flat Major: Largo is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

The tempo marking of 12 Concerti Grossi Opus VI, Concerto 5 In B Flat Major: Largo by Musica Amphion, Rémy Baudet, Pieter-Jan Belder, Sayuri Yamagata, Arcangelo Corelli, Albert Brüggen is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.

Music Key

This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -21.335 dB
Acousticness: 77%
Danceability: 23%
Energy: 5%
Instrumentalness: 0%
Liveness: 32%
Loudness: 64%
Speechiness: 4%
Valence: 42%

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