"Section 5" by Kengo Tokusashi had its release date on November 30, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kengo Tokusashi's "MUSIC FOR SAUNA" album is number 5 out of 8. On top of that, Japan appears to be the country where this track was created. Section 5 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Section 5 by Kengo Tokusashi to be Lento (slowly) because the track has a tempo of 55 BPM, a half-time of 28BPM, and a double-time of 110 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| sonate de la nuit la plus longue | attic | A Minor | 1 | 8A | 81 BPM | ||
| Mater | Carles Marigó | A Minor | 1 | 8A | 81 BPM | ||
| どうにも上がっていかない時に | 金子 隆博 | A♭ Major | 2 | 4B | 120 BPM | ||
| Monologue | Marihiko Hara, Polar M | A Minor | 1 | 8A | 67 BPM | ||
| Inerasable Trauma | Jun Futamata | A Minor | 1 | 8A | 71 BPM | ||
| idea | dj lacon | A Minor | 1 | 8A | 81 BPM | ||
| イムジン河 | KO JONG HAN, Marihiko Hara | F Major | 3 | 7B | 96 BPM | ||
| Still Life | Samuel Organ | A Minor | 1 | 8A | 81 BPM | ||
| 蒸しZ | Kengo Tokusashi | B♭ Major | 0 | 6B | 73 BPM | ||
| Inst. 14 - Vibraphone | Miyauchi Yuri | C Major | 0 | 8B | 50 BPM | ||
| 呼吸 | Ironomi | D Major | 5 | 10B | 97 BPM | ||
| Repeating Dreams | PSYCHART | A Minor | 1 | 8A | 81 BPM | ||
| transmission 7 | Stef.N | A Major | 0 | 11B | 64 BPM | ||
| Forest Rays | Oria Fields | A♭ Minor | 5 | 1A | 196 BPM | ||
| きらめき | 小久保隆 | E Major | 2 | 12B | 114 BPM | ||
| Wake up - loyly1 | Kengo Tokusashi | C Major | 2 | 8B | 113 BPM | ||
| Colleague | Hideakira Kimura | D♭ Minor | 2 | 12A | 113 BPM | ||
| haru | Yoko Komatsu, ARAKI Shin | F♯ Major | 0 | 2B | 144 BPM | ||
| when fossils dream | invisible design | G Minor | 0 | 6A | 64 BPM | ||
| A Fragment of Summer | Rayons | F♯ Major | 2 | 2B | 77 BPM | ||
| 映画のチケット | Takashi Ohmama | D Major | 0 | 10B | 70 BPM | ||
| Yoti g | Miyauchi Yuri | B Major | 1 | 1B | 76 BPM | ||
| Sasayaki souta | Angi G | B Major | 3 | 1B | 83 BPM | ||
| Possibility | Beautiful Chords | F Major | 1 | 7B | 212 BPM | ||
| Quiet After Motion | ArdenNova | A Minor | 1 | 8A | 81 BPM |