"Like a Sadness We Get Used To" by Hammock had its release date on July 11, 2025. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Nevertheless". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Like a Sadness We Get Used To's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Like a Sadness We Get Used To by Hammock having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Song for Florence | 36 | C Major | 3 | 8B | 177 BPM | ||
| Balance and Silence | Abstract Aprils | D♭ Major | 1 | 3B | 69 BPM | ||
| OM | Eydís Evensen | F♯ Minor | 4 | 11A | 106 BPM | ||
| Decrepit XIV | My second guess | C Minor | 0 | 5A | 73 BPM | ||
| The Wick That Slits the Shadow | Snorri Hallgrímsson | D Major | 0 | 10B | 77 BPM | ||
| Heima | Gísli Gunnarsson | A Minor | 1 | 8A | 82 BPM | ||
| Non-Judgement | Niall Breslin | G Minor | 2 | 6A | 79 BPM | ||
| Autumn Together | The Echelon Effect | C Major | 3 | 8B | 79 BPM | ||
| Chasing What's Left | Michael Vignola | E Minor | 3 | 9A | 141 BPM | ||
| I Can Touch the Sky | Free Floating Rotation | G Major | 0 | 9B | 137 BPM | ||
| Drifter | Eydís Evensen | F♯ Minor | 4 | 11A | 106 BPM | ||
| Meteor Shower | Alyas | F♯ Minor | 3 | 11A | 127 BPM | ||
| Flock | Jogging House | E Major | 1 | 12B | 69 BPM | ||
| breath of thought | Norvik, We Dream of Eden | E Major | 0 | 12B | 79 BPM | ||
| Eclipse | Christopher Willits | F♯ Major | 0 | 2B | 88 BPM | ||
| Lost Origin | Jack Vanzet, Thrupence | E Major | 2 | 12B | 123 BPM | ||
| Ghost | E J R M, v e n n | C Major | 1 | 8B | 83 BPM | ||
| Heavy Laden | Hammock | B Major | 3 | 1B | 64 BPM | ||
| Nevertheless | Hammock | C Major | 3 | 8B | 129 BPM | ||
| Béton House | The Black Dog | E Major | 2 | 12B | 167 BPM | ||
| Slowly You Dissolve | Hammock | F Major | 3 | 7B | 71 BPM | ||
| Komorebi - Glowworm Rework | BPMoore, Glowworm | A Major | 1 | 11B | 138 BPM | ||
| Under The Mariana Trench | Pan-American, Kramer | G Major | 0 | 9B | 72 BPM | ||
| Building | This Will Destroy You | F♯ Major | 1 | 2B | 128 BPM | ||
| Longing to Return | E J R M, Lauge | F♯ Major | 1 | 2B | 142 BPM |