Patti Page's ' "Come What May" was released on its scheduled release date, January 1, 1952. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Come What May's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Tennessee Waltz". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Come What May is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Come What May by Patti Page having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Laughing on the Outside | The Merry Macs | D♭ Major | 2 | 3B | 183 BPM | ||
| One Of Us (Will Weep Tonight) | Patti Page | A Minor | 1 | 8A | 144 BPM | ||
| Going Going Gone | Johnnie Ray | F Major | 2 | 7B | 88 BPM | ||
| You're the Cream in My Coffee | Annette Hanshaw | G Minor | 1 | 6A | 143 BPM | ||
| Serenade In Blue | Paul Whiteman & His Orchestra, Martha Tilton | E Minor | 2 | 9A | 81 BPM | ||
| Penthouse Serenade (When We're Alone) | Shirley Ross, Bob Hope | G Major | 2 | 9B | 169 BPM | ||
| I'll Always Love You | Martha Tilton | A♭ Major | 2 | 4B | 134 BPM | ||
| You Always Hurt the One You Love | Des O'Connor | F♯ Major | 4 | 2B | 115 BPM | ||
| True Love Ways | Buddy Holly | B♭ Major | 1 | 6B | 83 BPM | ||
| ultima copa | Fireboy1 | E♭ Major | 2 | 5B | 98 BPM | ||
| 40 Shades of Green | Ruby Murray | E Minor | 6 | 9A | 138 BPM | ||
| Red Sails In The Sunset | Nat King Cole | A♭ Major | 1 | 4B | 144 BPM | ||
| Tennessee Waltz | Patti Page | F Major | 1 | 7B | 87 BPM | ||
| Hi Lili, Hi-Lo | Shelby Flint | E Major | 2 | 12B | 112 BPM | ||
| I'll See You In My Dreams | The Bachelors | F Major | 4 | 7B | 114 BPM | ||
| Tangerine | Jimmy Dorsey & His Orchestra, Bob Eberly, Helen O'Connell | B Minor | 2 | 10A | 155 BPM | ||
| I Get Dreamy | The Castells | E♭ Major | 4 | 5B | 127 BPM | ||
| My Hero (That's What You Are) | Sue Thompson | B Major | 4 | 1B | 86 BPM | ||
| I Will | Vic Dana | F♯ Major | 3 | 2B | 105 BPM | ||
| Days Of Wine And Roses | Patti Page | E♭ Major | 1 | 5B | 82 BPM | ||
| I Apologize | Billy Eckstine | D♭ Major | 4 | 3B | 170 BPM | ||
| All Of Me | Martha Tilton | F Major | 1 | 7B | 124 BPM | ||
| Boo Hoo | Guy Lombardo | C Major | 2 | 8B | 180 BPM | ||
| It Looks Like Rain In Cherry Blossom Lane | Sue Raney | D♭ Major | 3 | 3B | 132 BPM | ||
| On a Slow Boat to China | Connie Stevens | A Minor | 3 | 8A | 112 BPM |