Jacinto Guerrero, Nicasio Tejada's ' "La Rosa del Azafrán: Dúo: "Ama, Lo Que Usted Me Pide"" was released on its scheduled release date, October 9, 1959. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jacinto Guerrero, Nicasio Tejada's "La Rosa del Azafrán" album is number 3 out of 18. On top of that, Spain appears to be the country where this track was created. La Rosa del Azafrán: Dúo: "Ama, Lo Que Usted Me Pide" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of La Rosa del Azafrán: Dúo: "Ama, Lo Que Usted Me Pide" by Jacinto Guerrero, Nicasio Tejada to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
| Gounod: Faust, Act 3: Couplets. "Faites-lui mes aveux" (Siebel) | Charles Gounod, Michel Plasson, Martine Mahé, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| La Fama del Tartanero: "¡Blanca Mía de Mi Vida!" | L. Manzano, M. de Góngora, Jacinto Guerrero, Gran Orquesta Sinfonica | C Major | 5 | 8B | 124 BPM | ||
| El Bateo | Federico Chueca, Ataúlfo Argenta, Ana Maria Iriarte, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Toñy Rosado | D Major | 4 | 10B | 136 BPM | ||
| La Verbena de la Paloma, Act I: Mazurka (Casta, Susana, Antonia, Hilarión) | Tomás Bretón, Silvia Tro, Maria Bayo, Ana M. Amengual, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | D Major | 2 | 10B | 76 BPM | ||
| Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] | Umberto Giordano, José Cura, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 84 BPM | ||
| Los gavilanes, Acto II: Amigos, siempre amigos | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | B♭ Major | 3 | 6B | 135 BPM | ||
| La Sonnambula / Act 1: D'un pensiero e d'un accento | Vincenzo Bellini, Dame Joan Sutherland, Sylvia Stahlman, Margreta Elkins, Nicola Monti, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
| La Verbena de la Paloma: Preludio | Tomás Bretón, Ataúlfo Argenta | E Major | 3 | 12B | 105 BPM | ||
| Dale Fuego al Chaparral / Yo Tenía, Yo Tenía - Remastered | Jesús Gracia, Piedad Gil, Rondalla Santamaría, Florencio Santamaría | C Major | 4 | 8B | 85 BPM | ||
| Andrea Chénier / Act 1: Questo azzurra sofà ... Compiacente a'colloqui ... Son | Umberto Giordano, Neil Howlett, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | F♯ Minor | 3 | 11A | 81 BPM | ||
| Dime que si | Alfonso Esparza Oteo, Alfonso Espriu Herrera, Rolando Villazón, Efrain Oscher, Nigel Shore, Juan Manuel González, Juan Lucas Aisemberg, Pablo Bercellini, Gabriel León, Rhodri Clarke | D Major | 4 | 10B | 94 BPM | ||
| Los Gavilanes: "No Importa Que el Amor Mío Se Oponga" | José Ramos Martín, Jacinto Guerrero, Gran Orquesta Sinfonica | C Major | 5 | 8B | 107 BPM | ||
| Un Hombre Solo | Manuel Alejandro, José Manuel Zapata, Juan Francisco Padilla, Orquesta de Extremadura | A Minor | 8 | 8A | 106 BPM | ||
| Preludio | Orquesta Sinfonica | A Major | 5 | 11B | 105 BPM | ||
| Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
| La Alegria De La Huerta (with The Royal Philharmonic Orchestra) | Luis Cobos, Royal Philharmonic Orchestra | C Major | 3 | 8B | 146 BPM | ||
| Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
| Dónde Están los Carboneros - Remastered | Antonio Campó, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid, Jose Perera, Julian Perera, Victoriano Echevarría | D Major | 4 | 10B | 72 BPM | ||
| Lagarterañas | Jose Garcia, Alfredo Rojas, Nilda Wilson, Jacinto Guerrero | E Major | 3 | 12B | 106 BPM | ||
| La Rosa del Azafrán: Dúo: "Tengo una Angustia de Muerte" | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
| Las Hijas del Zebedeo: Carceleras | Ruperto Chapí, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | A Minor | 3 | 8A | 73 BPM | ||
| Los gavilanes, Acto II: Escena | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | A Major | 3 | 11B | 134 BPM | ||
| Norma (1997 Digital Remaster), ACT 1, Scene 1: Fine al rito e il sacro bosco (Norma/Oroveso/Coro) | Vincenzo Bellini, Maria Callas, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | B♭ Major | 1 | 6B | 57 BPM | ||
| Cavalleria rusticana: A casa, a casa | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | B♭ Major | 3 | 6B | 74 BPM |