On February 1, 2004, the song "Four Zero" was released by Phil Smith, Peter James Thoms. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Street Jazz". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Four Zero's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Four Zero by Phil Smith, Peter James Thoms having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| fall ii | Felbm | E♭ Major | 3 | 5B | 80 BPM | ||
| Goodnight Buggy | Sulah Jordan | A♭ Minor | 4 | 1A | 74 BPM | ||
| Inner City | Phil Smith, Peter James Thoms | A Major | 4 | 11B | 96 BPM | ||
| Ago | Damian Dalla Torre | B Minor | 2 | 10A | 86 BPM | ||
| Dissolution | John Haycock | C Minor | 3 | 5A | 120 BPM | ||
| BEN HUR | Sam Gendel, Sam Wilkes | G Major | 2 | 9B | 121 BPM | ||
| America | Flaer | G Minor | 1 | 6A | 123 BPM | ||
| Infinity Mirrors | Hector Plimmer, Laura Misch, Marysia Osu | B♭ Minor | 4 | 3A | 73 BPM | ||
| The Mirror-Glade | Lynn Avery, Cole Pulice | B Minor | 3 | 10A | 84 BPM | ||
| Meet Your Love Again | Josiah Steinbrick | B♭ Major | 0 | 6B | 86 BPM | ||
| In langen Zügen | Schatterau | D Major | 1 | 10B | 82 BPM | ||
| Etch | Duffy x Uhlmann, Gregory Uhlmann, Hand Habits | F Major | 2 | 7B | 114 BPM | ||
| Le feu | Skúli Sverrisson, Ólöf Arnalds, David Thor, Amedeo, Óskar Guðjónsson, Eyvind Kang, Anthony Burr | B♭ Minor | 3 | 3A | 75 BPM | ||
| A duck with green feet | Lia Kohl, Zander Raymond | G Major | 2 | 9B | 119 BPM | ||
| Sailing in Concentric Circles | Carlos Niño, Turn On The Sunlight | C Major | 6 | 8B | 123 BPM | ||
| Tum-Tum | Loris S. Sarid | B♭ Minor | 3 | 3A | 115 BPM | ||
| Dark Hologram | Lynn Avery, Cole Pulice | F Minor | 4 | 4A | 76 BPM | ||
| Fogbound Streets of Maardu | Volodja Brodsky | A♭ Major | 0 | 4B | 129 BPM | ||
| Too Young To Go Steady | Sam Wilkes, Craig Weinrib, Dylan Day | A Major | 1 | 11B | 96 BPM | ||
| Mechanix | Peter James Thoms, Phil Smith | D♭ Minor | 6 | 12A | 122 BPM | ||
| Intérieurs - Jeremiah Chiu Remix | Laurie Torres, Jeremiah Chiu | C Minor | 4 | 5A | 136 BPM | ||
| The Light Through The Leaves | Woo | C Major | 2 | 8B | 66 BPM | ||
| Humid Mood | John Carroll Kirby | F♯ Major | 6 | 2B | 90 BPM | ||
| Kalimba 1 (Glimpse) | Laraaji | E Minor | 5 | 9A | 125 BPM | ||
| THE CIRCLE GAME | Sam Gendel, Sam Wilkes | G Major | 2 | 9B | 121 BPM |