Carmel's 'It'S All in the Game' had a release date set for January 1, 1984. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 13 in Collected by Carmel. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, It'S All in the Game is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of It'S All in the Game by Carmel is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Once and Not Speak | Tanita Tikaram | A Major | 3 | 11B | 127 BPM | ||
| Blue | Fine Young Cannibals | G Major | 8 | 9B | 122 BPM | ||
| The Last Song I'll Ever Sing | Gavin Friday | G Major | 4 | 9B | 95 BPM | ||
| Are You Ready To Be Heartbroken? | Lloyd Cole and the Commotions | G Major | 3 | 9B | 104 BPM | ||
| When You Know Why You're Happy | Mary Margaret O'Hara | E Major | 3 | 12B | 85 BPM | ||
| Shipbuilding | Elvis Costello & The Attractions | G Major | 3 | 9B | 143 BPM | ||
| Screen Kiss | Thomas Dolby | B Minor | 4 | 10A | 103 BPM | ||
| Hold You | Orchestral Manoeuvres In The Dark | G Major | 5 | 9B | 208 BPM | ||
| Hide And Seek | Howard Jones | D Minor | 5 | 7A | 90 BPM | ||
| The Taxi Ride | Jane Siberry | D Major | 1 | 10B | 79 BPM | ||
| No Blue Skies | Lloyd Cole | A Major | 5 | 11B | 104 BPM | ||
| Last Day of Our Acquaintance | Sinéad O'Connor | E♭ Major | 2 | 5B | 83 BPM | ||
| Sweet Nothing | Working Week | C Major | 5 | 8B | 185 BPM | ||
| Hide And Seek | Howard Jones | D Minor | 5 | 7A | 90 BPM | ||
| Deep and Wide and Tall | Aztec Camera | B♭ Major | 8 | 6B | 107 BPM | ||
| The Whole Point Of No Return | The Style Council | E Minor | 2 | 9A | 141 BPM | ||
| The Other End (Of The Telescope) | 'Til Tuesday | B♭ Major | 4 | 6B | 174 BPM | ||
| Suspicious Minds | Fine Young Cannibals | G Major | 9 | 9B | 129 BPM | ||
| Night Train | Rickie Lee Jones | E Major | 2 | 12B | 110 BPM | ||
| Tempted | Squeeze | E Major | 5 | 12B | 95 BPM | ||
| Don't Toss Us Away | Lone Justice | E Major | 2 | 12B | 92 BPM | ||
| Move Closer | Marilyn Martin | D Major | 3 | 10B | 83 BPM | ||
| Sweet And Lovely | Carmel | A Major | 6 | 11B | 108 BPM | ||
| Love Is Just a Word | Tanita Tikaram | D♭ Major | 2 | 3B | 86 BPM | ||
| Cry Me a River | Mari Wilson | G Minor | 1 | 6A | 173 BPM |