Rita Reys's 'Just Be You' had a release date set for August 6, 1969. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Just Be You's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Rita Reys Today". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Netherlands. Just Be You is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Just Be You by Rita Reys having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Marble Loggia | walkin around jazz | G Minor | 2 | 6A | 76 BPM | ||
| Vintage Vinyl Jazz | Murmur Haven | C Minor | 5 | 5A | 131 BPM | ||
| Love in Vain | Soesja Citroen | D Minor | 1 | 7A | 141 BPM | ||
| A Kiss on the Forehead | Zuzana Bing | E♭ Minor | 2 | 2A | 80 BPM | ||
| Sweet Jesus | celina suku | F Minor | 3 | 4A | 131 BPM | ||
| Venus Bespied | Rita Reys | F Minor | 2 | 4A | 130 BPM | ||
| Mosaic Floor | Fireside Jazz | C Major | 2 | 8B | 77 BPM | ||
| Penstroke Curve | Still Geometry Jazz | G Minor | 2 | 6A | 70 BPM | ||
| Satin Doll | Carol Sloane, Roland Hanna, George Mraz, Richie Pratt | C Major | 2 | 8B | 136 BPM | ||
| Again | Ruth Cameron | C Major | 1 | 8B | 114 BPM | ||
| Fedora on Stair | Crying Mirror | G Major | 3 | 9B | 79 BPM | ||
| Last Night | Katherine Kostoff, Gil Goldstein | C Major | 2 | 8B | 81 BPM | ||
| To My Inconstant Mistress | Zuzana Bing | A Minor | 4 | 8A | 115 BPM | ||
| Aviary Sweetshop | Misty Waves | G Minor | 3 | 6A | 128 BPM | ||
| When the Blues Come On | Rita Reys | B Minor | 0 | 10A | 111 BPM | ||
| Observatory Dome | Impression Blue | F Minor | 3 | 4A | 75 BPM | ||
| Snowman Singing Santa Dancing | Timeless Tone | C Major | 1 | 8B | 69 BPM | ||
| Mr. Paris | Tingl. | E♭ Major | 3 | 5B | 67 BPM | ||
| A Luminous Trace | Ryan Moret | E♭ Major | 3 | 5B | 67 BPM | ||
| In The Wee Small Hours Of The Morning | Ann Burton, Louis Van Dijk, Piet Noordijk | F Major | 1 | 7B | 110 BPM | ||
| Birch Skirting | Fireside Jazz | G Minor | 2 | 6A | 80 BPM | ||
| Sibilla Cumana | Erodoto Project | E♭ Major | 3 | 5B | 67 BPM | ||
| Café Noir Confessions | WENDO KEN | D Major | 3 | 10B | 105 BPM | ||
| Cigarettes and Goodbyes | Choll | G Major | 1 | 9B | 97 BPM | ||
| Barstool Nocturne | Monochrome Silence | C Minor | 2 | 5A | 81 BPM |