Phil Beer's ' "Cance" was released on its scheduled release date, 1994. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Phil Beer's "Hard Works" album is number 3 out of 23. Based on our statistics, Cance's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Cance by Phil Beer to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sledburn Fair | Jack Rutter | B♭ Major | 5 | 6B | 118 BPM | ||
| Such a Thing as Society | Ewan McLennan, George Monbiot | B Major | 4 | 1B | 137 BPM | ||
| Song - Beeswing | Caladh Nua | D Major | 3 | 10B | 150 BPM | ||
| Near to the Heart of God | Sounds Like Reign | G Major | 1 | 9B | 173 BPM | ||
| Arthur O'bradley | The Full English | C Major | 1 | 8B | 126 BPM | ||
| He Called For A Candle | Josie Duncan, Pablo Lafuente | E Major | 4 | 12B | 126 BPM | ||
| The Trooper Cut Down In His Prime | Laura Smyth, Ted Kemp | D♭ Major | 1 | 3B | 78 BPM | ||
| Willin | Phil Beer | G Major | 3 | 9B | 119 BPM | ||
| Lavenders Blue/Mazurka | Jackie Oates | D♭ Major | 2 | 3B | 91 BPM | ||
| Shepherd On The Mountain | Jack Rutter | B♭ Major | 5 | 6B | 118 BPM | ||
| Hallowed Winds of Brambleton | Ekofola | E♭ Minor | 3 | 2A | 70 BPM | ||
| Across the Breeze | Luka Bloom | D Minor | 3 | 7A | 114 BPM | ||
| Dark Swift and Bright Swallow | Martin Simpson, Andy Cutting, Nancy Kerr | D Major | 3 | 10B | 103 BPM | ||
| Limbo | Phil Beer | C Major | 5 | 8B | 80 BPM | ||
| Mampy Moose/Brilliant Pebbles/Philip Brunels | Phil Beer | D Major | 8 | 10B | 125 BPM | ||
| Mya Bonny Boys Have Gone | Mandel Tom | C Major | 3 | 8B | 165 BPM | ||
| The Hills of Sweet Lislea | Goitse | F Major | 2 | 7B | 104 BPM | ||
| The Ghosts of Vinegar Hill | Freedom Flames | G Major | 3 | 9B | 165 BPM | ||
| My Bonnie Moorhen | Jim Reid | B Minor | 1 | 10A | 147 BPM | ||
| The Wild Geese | Jim Reid | B♭ Major | 2 | 6B | 111 BPM | ||
| Under the Bridge in Brooklyn | Richard Karl | F Major | 3 | 7B | 108 BPM | ||
| Time For the Wicked To Rest | David Francey | A Minor | 3 | 8A | 97 BPM | ||
| The Poorest Company | John McCusker, Kris Drever, Roddy Woomble | D Major | 3 | 10B | 109 BPM | ||
| Bonny Light Horseman | Siobhan Miller | F Major | 2 | 7B | 72 BPM | ||
| Rolling Home | Roy Bailey | F Major | 3 | 7B | 109 BPM |