- BPM
- 138
- Key
- F Major
- Camelot
- 7B
Old Sir Symon the King by Henry Purcell, Laura Risk, Jacqueline Schwab Song Details
"Old Sir Symon the King" by Henry Purcell, Laura Risk, Jacqueline Schwab had its release date on February 1, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 17 out of 18 in Celtic Dialogue by Laura Risk. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Old Sir Symon the King's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Old Sir Symon the King by Henry Purcell, Laura Risk, Jacqueline Schwab is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -18.643 dB
- Acousticness
- 98%
- Danceability
- 30%
- Energy
- 7%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 16%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": II. Aria allegro - Variatio | Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria | F♯ Minor | 0 | 11A | 77 BPM | |
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 | Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | F Minor | 1 | 4A | 80 BPM | |
 | Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio | Giuseppe Torelli, Berliner Barock Compagney | F♯ Major | 2 | 2B | 103 BPM | |
 | Corrente Italiana | Juan Cabanilles, Le Poème Harmonique, Vincent Dumestre | E♭ Major | 2 | 5B | 122 BPM | |
 | Armide: Passacaille | Jean-Baptiste Lully, Véronique Gens/Les Talens Lyriques/Christophe Rousset, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 122 BPM | |
 | Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | |
 | The Indian Queen, Z. 630, Act I: Why Should Men Quarrel Here, Where All Possess | Henry Purcell, The Sixteen, Harry Christophers, Kirsty Hopkins | B Minor | 0 | 10A | 119 BPM | |
 | Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, New London Consort, Philip Pickett | F♯ Major | 1 | 2B | 131 BPM | |
 | Concerto in F Major, S. 234: I. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 133 BPM | |
 | Stabat Mater, P. 77: V. Duet. Quis est homo qui non fleret | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | B Minor | 1 | 10A | 80 BPM | |
 | Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 75 BPM | |
 | Lamento della ninfa, SV 163: Amor, amor | Claudio Monteverdi, Simone Kermes, Enrico Casazza, La Magnifica Comunità | A Minor | 1 | 8A | 95 BPM | |
 | The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | |
 | Ballet des fous et des estropiés de la cervelle: III. Entrée des Fantasques | Antoine Boësset, Le Poème Harmonique, Vincent Dumestre | G Major | 1 | 9B | 112 BPM | |
 | Oedipus, Z.583: Music for a While | Henry Purcell, James Bowman, Academy of Ancient Music, Christopher Hogwood | F Major | 2 | 7B | 76 BPM | |
 | Troisième Leçon de Ténèbres | François Couperin, Jordi Savall | A Minor | 0 | 8A | 209 BPM | |
 | Come, Ye Sons of Art Away, Z. 323 "Ode for Queen Mary's Birthday, 1694": No. 2. Duet, "Come Ye Sons of Art Away" (Arr. with Trumpet, Trombone, Baroque Guitar, Cello and Organ by Wim van Hasselt and Jörgen van Rijen) | Henry Purcell, Wim Van Hasselt, Jörgen Van Rijen, Benedikt Enzler, Mike Fentross, Jorge Lopez-Escribano | F Major | 1 | 7B | 107 BPM | |
 | Miserere in C Minor (Version for Mixed Choir): I. Miserere mei Deus | Johann Adolf Hasse, Accademia Barocca Lucernensis, Javier Ulises Illán | D Major | 2 | 10B | 105 BPM |
- ISRC
- USKC60712961
- Label
- L-M Records/RCA Records