Harry Allen's ' "Cool Man Chu" was released on its scheduled release date, January 1, 1997. This song is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Tenors Anyone?". In this album, this song's track order is #11. Based on our statistics, Cool Man Chu's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Cool Man Chu by Harry Allen having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| One More Day | Arta Porting | E♭ Major | 1 | 5B | 103 BPM | ||
| Cherry Blossom Waltz | James & LIsa | F Major | 1 | 7B | 59 BPM | ||
| Madeleine | Eric Merlino | A Minor | 1 | 8A | 69 BPM | ||
| Sidewalks of New York | Nate Najar, Harry Allen | G Major | 3 | 9B | 96 BPM | ||
| A list of songs | Ben Lively | C Minor | 1 | 5A | 70 BPM | ||
| Romeo's Mood | 6th Street Jazz | A♭ Major | 1 | 4B | 97 BPM | ||
| Velvet Corners | Trio in Transit | A♭ Major | 1 | 4B | 108 BPM | ||
| Think About That | Bruce Willmington & Co | E Minor | 2 | 9A | 104 BPM | ||
| Carry On | Andy Luma Trio | D Minor | 1 | 7A | 101 BPM | ||
| Wherever You Go I Follow | James Jackson Jazz Trio | G Minor | 2 | 6A | 60 BPM | ||
| When I Fell for You | David Hazeltine | D♭ Major | 3 | 3B | 130 BPM | ||
| What Could've Been | Matt Marantz Quartet | D Major | 2 | 10B | 110 BPM | ||
| Isabella (Rain) | The Indigo Trio | C Minor | 1 | 5A | 70 BPM | ||
| Nightfall | Karl-Erik Trio | F Minor | 1 | 4A | 110 BPM | ||
| Secondo | Michel Bisceglia, Marc Lehan, Werner Lauscher | A Minor | 1 | 8A | 97 BPM | ||
| Here There And Everywhere | More than Jazz | F Major | 2 | 7B | 123 BPM | ||
| Kyoto Dreams | More than Jazz | C Minor | 2 | 5A | 94 BPM | ||
| You Go to My Head | Ari Bragi Kárason, Karl-Martin Almqvist, Carl Winther, Anders Mogensen | B♭ Minor | 1 | 3A | 120 BPM | ||
| How Sincere | Frank Guardiola | E Minor | 1 | 9A | 105 BPM | ||
| At the Movies | Marc & Friends | A Minor | 1 | 8A | 119 BPM | ||
| Break the lines | Buddy Kearnan Quartet | C Minor | 1 | 5A | 70 BPM | ||
| Urban Oasis | Nighthawks Revisited | F Major | 1 | 7B | 81 BPM | ||
| Wondering Why | Joe Monder | E♭ Major | 2 | 5B | 175 BPM | ||
| When Love Lets You Down | The Southern Belle | C Minor | 1 | 5A | 70 BPM | ||
| Hester Street, 1896 | Larry Goldings, Harry Allen | A Major | 1 | 11B | 153 BPM |