"Consort Music: Fantasy Suite à 4 (Fantasy - Alman - Corant)" by John Jenkins, Consort Of Musicke, Trevor Jones had its release date on June 14, 1983. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in John Jenkins, Consort Of Musicke, Trevor Jones's "Jenkins: Consort Music" album is number 1 out of 11. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Consort Music: Fantasy Suite à 4 (Fantasy - Alman - Corant) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Consort Music: Fantasy Suite à 4 (Fantasy - Alman - Corant) by John Jenkins, Consort Of Musicke, Trevor Jones to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Sonata in B-flat Major, Op. 5 No. 2: I. Grave | Arcangelo Corelli, Enrico Onofri | A♭ Major | 0 | 4B | 32 BPM | ||
| Les Goûts-réünis - Concert No. 11 in C minor: 4. Courante I | François Couperin, Les Talens Lyriques, Christophe Rousset | G Major | 2 | 9B | 61 BPM | ||
| Il primo libro de madrigali a due, tre, quattro, e cinque voci, Op. 1: No. 9, Godere, e tacere - Instrumental Version | Barbara Strozzi, Accademia dell'Annunciata, Riccardo Doni | D♭ Minor | 2 | 12A | 79 BPM | ||
| Bibliothèque municipale de Tournus: Prélude in D Minor, Page 2 | Monsieur de Sainte-Colombe, Friederike Heumann | B♭ Minor | 0 | 3A | 97 BPM | ||
| Trio Sonata in G Minor, RV 85: II. Larghetto (Arr. for Baroque Ensemble by Wolfgang Katschner) | Antonio Vivaldi, Lautten Compagney, Wolfgang Katschner | G Minor | 4 | 6A | 151 BPM | ||
| Couperin, L: Suite en fa: V. Tombeau de Mr. de Blancrocher, G. 81 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol | E♭ Major | 0 | 5B | 67 BPM | ||
| Sonata in D-Dur, BuxWV 267: Sonata in D-Dur, BuxWV 267: IV. Solo-Allegro-Allegro-Presto | Dietrich Buxtehude, La Rêveuse, Emily Audouin, Florence Bolton, Benjamin Perrot | D♭ Major | 1 | 3B | 81 BPM | ||
| Symphony in B-Flat Major: II. Andante | Franz Xaver Richter, L'Orfeo Barockorchester, Michi Gaigg | D♭ Major | 3 | 3B | 146 BPM | ||
| A la fin cette bergère | Antoine Boësset, Paul Figuier, Les Bacchantes, Ronan Khalil | B Major | 1 | 1B | 74 BPM | ||
| The False Consonances of Musick, Aria II | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
| The Funeralls | Anthony Holborne, L'Achéron, François Joubert-Caillet | D Major | 0 | 10B | 84 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act I: The Triumphing Dance | Henry Purcell, Maxim Emelyanychev, Il Pomo D'oro | F♯ Minor | 0 | 11A | 172 BPM | ||
| Sus mon lut, d'un accord pitoyable | Didier Leblanc, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre | G Major | 1 | 9B | 71 BPM | ||
| Membra Jesu Nostri, BuxWV 75: Concerto [Ad pedes] | Dietrich Buxtehude, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Ricercar Consort, Matthias Vieweg | D♭ Major | 3 | 3B | 114 BPM | ||
| Fantasia Suite in D Major for 2 Trebles, 2 Basses to the Organ, VdGS No. 8: II. Almain | John Jenkins, Fretwork, Silas Wollston | E Minor | 2 | 9A | 109 BPM | ||
| Canzoni overo sonate concertate per chiesa e camera, Op. 12: No. 19, Ballo detto Eccardo | Tarquinio Merula, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Minor | 2 | 3A | 159 BPM | ||
| Couperin, L: Fantaisie | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | E♭ Major | 2 | 5B | 85 BPM | ||
| Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM | ||
| Suite for 2 Lutes in Bb (Baron) - Bouree | Edward Martin and Paul Berget | A Major | 2 | 11B | 76 BPM | ||
| Phoebus, God Beloved by Men | Samuel Pepys, Cesare Morelli, Reginald Mobley, Brandon J. Acker, Douglas Balliett | A♭ Major | 0 | 4B | 66 BPM | ||
| Deitatis Majestatem: V. Te omnes angeli | Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre, Emmanuelle De Negri, Dagmar Saskova, Sean Clayton, Cyril Auvity, André Morsch | D Major | 2 | 10B | 130 BPM | ||
| Couperin, L: Suite en fa: III. Courante, G. 69 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | ||
| Noëls sur les instruments, H. 534 : No. 3, Joseph est bien marié | Marc-Antoine Charpentier, Gaétan Jarry, Marguerite Louise | C Minor | 2 | 5A | 95 BPM | ||
| Fancy & Air Divisions in A Minor for 2 Trebles, Bass and Organ, VdGS No. 2: I. Fancy | John Jenkins, Fretwork, Silas Wollston | E Minor | 2 | 9A | 109 BPM | ||
| Viola da gamba Sonata in D Major, A2:67: I. Andantino | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella, Thomas Boysen | F♯ Major | 1 | 2B | 54 BPM |