"Voce 'E Notte" by Mario Lanza had its release date on October 21, 2022. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mario Lanza's "Mario Canta Napoli" album is number 11 out of 12. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Voce 'E Notte is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Voce 'E Notte by Mario Lanza to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Merry Widow / Act 2: Duet: Love unspoken, love unbroken | Franz Lehár, Werner Krenn, Dame Joan Sutherland, Ambrosian Singers, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 86 BPM | ||
| Rossini: Soirées musicales: No. 1, La promessa | Gioachino Rossini, Rockwell Blake, Antonio Pappano | D Major | 2 | 10B | 85 BPM | ||
| Amami | Fabrizio Cesare, Antonello Bille | A Major | 6 | 11B | 119 BPM | ||
| Reginella Campagnola | Carlo Buti | F Major | 5 | 7B | 130 BPM | ||
| The Last Rose Of Summer | Deanna Durbin | E Major | 2 | 12B | 86 BPM | ||
| My Fair Lady, Act I Scene 7: Ascot Gavotte | Frederick Loewe, Sinfonia Of London, John Wilson | F♯ Minor | 3 | 11A | 62 BPM | ||
| Blow The Wind Southerly | Kathleen Ferrier | D♭ Major | 1 | 3B | 132 BPM | ||
| I'll Be Around | Percy Faith, Mitch Miller | A♭ Major | 4 | 4B | 78 BPM | ||
| Si, Mi Chiamano Mimì - La Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 85 BPM | ||
| (Finale) Canzone Per Loretta / Gioventu Mia, Tu Non Sei Morta | Dick Hyman, Dominic Cortese | G Major | 3 | 9B | 100 BPM | ||
| Funiculi Funicula | Mario Lanza | A Major | 1 | 11B | 168 BPM | ||
| Derry Air (Danny Boy) | Paul Robeson | F♯ Major | 2 | 2B | 97 BPM | ||
| Core 'ngrato | Mario del Monaco | D Major | 2 | 10B | 85 BPM | ||
| Roses of Picardy | Vince Hill | B♭ Major | 3 | 6B | 79 BPM | ||
| Main Title: An Affair To Remember (from "An Affair To Remember") | Gary Grant, Deborah Kerr | F Major | 2 | 7B | 84 BPM | ||
| Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM | ||
| While We're Young | Percy Faith, Mitch Miller | G Major | 3 | 9B | 84 BPM | ||
| I'll Be Seeing You | Sammy Fain, Irving Kahal, Mario Lanza | F♯ Major | 3 | 2B | 80 BPM | ||
| Golden Hour Serenade | TAPA BLANCA | B Minor | 2 | 10A | 177 BPM | ||
| Verdi: La Forza del Destino: La Vergine degli Angeli | Renata Tebaldi | G Major | 2 | 9B | 130 BPM | ||
| Sei ariette da camera: No. 1, Malinconia, ninfa gentile | Vincenzo Bellini, Juan Diego Flórez, Vincenzo Scalera | D Major | 2 | 10B | 85 BPM | ||
| Y Detrás de Ti Besé / Yo Conozco a una Mocita | José Oto, Rondalla | C Major | 4 | 8B | 93 BPM | ||
| Cuore mio | Fabrizio Cesare, Antonello Bille | D♭ Major | 4 | 3B | 130 BPM | ||
| Maria (From "West Side Story") | Matt Monro | C Major | 1 | 8B | 157 BPM | ||
| Madama Butterfly - Act II | Chorus and Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin | B♭ Major | 0 | 6B | 73 BPM |