"Nothing Left to Destroy" by Aeon had its release date on November 16, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 15 in Aeons Black by Aeon. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Nothing Left to Destroy is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nothing Left to Destroy by Aeon is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| End the Torture | Malevolent Creation | D♭ Minor | 10 | 12A | 105 BPM | ||
| In the Face of Armageddon | Dyscarnate | C Major | 10 | 8B | 120 BPM | ||
| Slaying The Lamb | Blood Red Throne | B Minor | 10 | 10A | 184 BPM | ||
| Bloodstained | Vomitory | E Minor | 10 | 9A | 182 BPM | ||
| Question | Severed Savior | D♭ Major | 10 | 3B | 122 BPM | ||
| It Comes In Threes | Man Must Die | A♭ Major | 10 | 4B | 160 BPM | ||
| Invert the Idols | Dying Fetus | D Major | 10 | 10B | 133 BPM | ||
| A Nightmare Slain | Abysmal Dawn | D♭ Major | 10 | 3B | 120 BPM | ||
| Synthetic Impulse | Skeletal Remains | D Major | 10 | 10B | 142 BPM | ||
| Inverted And Inserted | Severed Savior | B♭ Minor | 10 | 3A | 109 BPM | ||
| Foresworn | Bloodtruth | F♯ Major | 10 | 2B | 130 BPM | ||
| Hidden in Flesh | Spawn of Possession | D♭ Major | 9 | 3B | 120 BPM | ||
| Portal | Origin | G Major | 10 | 9B | 117 BPM | ||
| Hieroglyphic | Decrepit Birth | G Major | 10 | 9B | 123 BPM | ||
| Chants for Abyzou | Antropofagus | F♯ Major | 10 | 2B | 120 BPM | ||
| Thou Begone | Deicide | F Minor | 10 | 4A | 128 BPM | ||
| Mephistopheles | Aeon | D Minor | 1 | 7A | 120 BPM | ||
| The Crimson Swirl | Maggot Colony | G Major | 9 | 9B | 124 BPM | ||
| The Hive | Monstrosity | B♭ Minor | 10 | 3A | 95 BPM | ||
| The Emperor | Firespawn | G Major | 10 | 9B | 120 BPM | ||
| Asylum | Neuraxis | E Major | 10 | 12B | 103 BPM | ||
| Aqueous Ammonia | Lost Soul | D Major | 10 | 10B | 138 BPM | ||
| Where Angels Go Demons Follow | Spawn of Possession | G Minor | 10 | 6A | 120 BPM | ||
| Panic Amongst the Herd | Dying Fetus | F♯ Minor | 9 | 11A | 117 BPM | ||
| Torture to Death | Torture Killer | D♭ Major | 9 | 3B | 180 BPM |