Francisco Canaro, O.T.'s ' "Para ti, madre" was released on its scheduled release date, October 22, 2010. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Tango Classics 041: Inspiracion". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Based on our statistics, Para ti, madre's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Para ti, madre by Francisco Canaro, O.T. having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Silbar de boyero | David Barberis, Orquesta Osvaldo Pugliese, Roberto Chanel | G Major | 1 | 9B | 120 BPM | ||
| La rumbita candombe | Orquesta Típica Francisco Canaro, Carlos Roldán | E Minor | 4 | 9A | 103 BPM | ||
| Muñeca Brava | Juan D'Arienzo and his Orchestra, Mario Bustos | D Major | 4 | 10B | 123 BPM | ||
| Baiango | Francisco Canaro, Alberto Arenas, Mario Alonso | E♭ Major | 9 | 5B | 110 BPM | ||
| Por que regresas tú | Orquesta Carlos di Sarli, Roberto Florio | A Major | 3 | 11B | 170 BPM | ||
| Las Cuarenta | Francisco Canaro | D♭ Minor | 2 | 12A | 126 BPM | ||
| Argañaraz | Orquesta Típica Tanturi | D Major | 3 | 10B | 142 BPM | ||
| Mano cruel | Orquesta Fulvio Salamanca, Jorge Garré, Armando Guerrico | F Major | 4 | 7B | 127 BPM | ||
| Amor de verano | Orquesta Rodolfo Biagi, Hugo Duval, Luis Stazo, Federico Silva | A Minor | 3 | 8A | 120 BPM | ||
| Donde Estas Corazon | Dalva De Oliveira, Francisco Canaro | A Minor | 4 | 8A | 116 BPM | ||
| El choclo | Florindo Sassone Y Su Orquesta | D Major | 2 | 10B | 114 BPM | ||
| Samaritana | Los Provincianos | C Minor | 4 | 5A | 89 BPM | ||
| Si Yo Pudiera Comprender | Orquesta Típica Sans Souci, Emiliano Castignola | C Minor | 3 | 5A | 123 BPM | ||
| Alma De Bandoneon | Francisco Canaro | D♭ Major | 2 | 3B | 121 BPM | ||
| Silueta Porteña | Francisco Canaro | E♭ Minor | 3 | 2A | 82 BPM | ||
| A Mis Viejos | Aníbal Troilo Y Su Orquesta Típica | G Minor | 3 | 6A | 124 BPM | ||
| El Aeroplano | Roberto Firpo | D♭ Minor | 7 | 12A | 109 BPM | ||
| Vieja milonga | Orquesta Roberto Firpo, Samuel Castriota, Eugenio Cárdenas | C Major | 2 | 8B | 78 BPM | ||
| El Panuelito | Osvaldo Pugliese con Jorge Maciel | F♯ Major | 1 | 2B | 110 BPM | ||
| Vencida | Nina Miranda, Donato Racciatti y Su Orquesta Típica | G Major | 4 | 9B | 141 BPM | ||
| Se Va La Vida | Edgardo Donato & his orchestra | E Major | 3 | 12B | 130 BPM | ||
| Mas Alla | Osvaldo Fresedo y su Orquesta Típica | D♭ Major | 3 | 3B | 133 BPM | ||
| Japonesita | Enrique Rodriguez, Roberto Videla | G Major | 2 | 9B | 97 BPM | ||
| Parque Patricios | Francisco Lomuto y su Orquesta Típica | D Minor | 5 | 7A | 114 BPM | ||
| Noche de Estrellas | Francisco Canaro, Ernesto Fama | F Major | 5 | 7B | 96 BPM |