HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Never mind the why and wherefore (Captain Corcoran, Sir Joseph, Josephine) by Arthur Sullivan, George Baker/John Cameron/Elsie Morison/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra Song Details

Arthur Sullivan, George Baker/John Cameron/Elsie Morison/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra's ' "HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Never mind the why and wherefore (Captain Corcoran, Sir Joseph, Josephine)" was released on its scheduled release date, March 1, 2000. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Never mind the why and wherefore (Captain Corcoran, Sir Joseph, Josephine)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 71 in the song's album "The Gilbert & Sullivan Collection". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Never mind the why and wherefore (Captain Corcoran, Sir Joseph, Josephine) is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

BPM and Tempo

With HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Never mind the why and wherefore (Captain Corcoran, Sir Joseph, Josephine) by Arthur Sullivan, George Baker/John Cameron/Elsie Morison/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -18.744 dB
Acousticness: 85%
Danceability: 65%
Energy: 33%
Instrumentalness: 0%
Liveness: 12%
Loudness: 69%
Speechiness: 14%
Valence: 59%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Das Lied von der Erde: III. Von der Jugend. Behaglich, heiter	Gustav Mahler, Les Siècles, François-Xavier Roth, Andrew Staples	D Minor	1	7A	93 BPM
Peter and the Wolf, Op. 67: IV. The Duck - Dialogue With the Birds - Attack of the Cat	Wiener Opernorchester	A♭ Major	1	4B	99 BPM
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Elijah, Op. 70, MWV A25 / Part 2: "But the Lord from the north hath raised one"	Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel	G Major	1	9B	145 BPM
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Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers)	Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique	G Minor	2	6A	72 BPM
Puccini: Madama Butterfly, Act 1: "Ah! Ah! quanto cielo! quanto mar!" (Chorus, Butterfly, Goro)	Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Gregory Bonfatti, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia	D♭ Major	1	3B	52 BPM
H.M.S. Pinafore, Act II: Never Mind the Why and Wherefore	Gilbert & Sullivan Society of Houston	B Major	3	1B	138 BPM
Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther"	Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa	C Major	4	8B	138 BPM
Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane)	Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini	F♯ Major	4	2B	91 BPM
H.M.S. Pinafore / Act 1: A maiden fair to see	Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey	C Major	2	8B	81 BPM
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The Creation, Hob.XXI,2: Pt. 1, In the Beginning	Joseph Haydn, Handel and Haydn Society, Jeremy Ovenden, Matthew Brook, Harry Christophers	B♭ Minor	0	3A	103 BPM
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Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì]	Giacomo Puccini, James Conlon, Orchestre National De France	E Major	1	12B	87 BPM
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