- BPM
- 139
- Key
- G Major
- Camelot
- 9B
Ecce, vidimus eum by Marc' Antonio Ingegneri, Regensburger Domspatzen, Roland Büchner Song Details
Marc' Antonio Ingegneri, Regensburger Domspatzen, Roland Büchner's 'Ecce, vidimus eum' had a release date set for October 7, 2011. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Regensburger Domspatzen, Roland Büchner's "Gesänge für die Ewigkeit - Passions- und Ostergesänge" album is number 7 out of 21. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Ecce, vidimus eum's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Ecce, vidimus eum by Marc' Antonio Ingegneri, Regensburger Domspatzen, Roland Büchner to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
Music Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -24.013 dB
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 7%
- Instrumentalness
- 0%
- Liveness
- 8%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 22%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Salve Regina | Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos | A Major | 1 | 11B | 134 BPM | |
 | Choral Prayer Contemplative Faith Music | Christian Orthodox Chants, Father Nicolas Malek, The Orthodox Church Music Ensemble | F Major | 1 | 7B | 102 BPM | |
 | Cantus Vespertinus Novus | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | C Major | 0 | 8B | 132 BPM | |
 | Messa sesta pro defunctis: II. Te decet hymnus - Kyrie | Ignatio Donati, Gruppo madrigalistico del Conservatorio di Como, Schola cantorum del Conservatorio di Como, Antonio Eros Negri, Coro Polifonico del Conservatorio di Como | F Major | 3 | 7B | 81 BPM | |
 | Let All Mortal Flesh | The Chamber Choir of St. Tikhon's Monastery, Benedict Sheehan | A Minor | 1 | 8A | 175 BPM | |
 | Hymn of Kassiane | Saint Vladimir's Seminary Women's Sextet | G Major | 2 | 9B | 101 BPM | |
 | Alleluja. Ave Maria | Sebastian z Felsztyna, Schola Cantorum Misericordis Christi, Piotr Arseniuk, Piotr Karwowski | A Minor | 3 | 8A | 69 BPM | |
 | Ave Maria | Public Domain, Cantores in Ecclesia, Dean Applegate | D Major | 1 | 10B | 57 BPM | |
 | Angelus Mass, Psalm 22 | Choir of Beirut | D Minor | 1 | 7A | 73 BPM | |
 | Domine Deus, Agnus Dei in F Major, ICM 13 | Cristobal de Morales, Pro Musica, Szabó Dénes | D Major | 1 | 10B | 163 BPM | |
 | Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | |
 | Agnus Dei - De Angelis | Andrea Montepaone, Schola Gregoriana Monodia Urbis, Orchestra sinfonica Supernova | F Major | 2 | 7B | 123 BPM | |
 | Tallis: Loquebantur Variis Linguis - 2. Repleti Sunt Omnes | The Tallis Scholars, Peter Phillips | F Minor | 1 | 4A | 61 BPM | |
 | Thy Resurrection-(authentic Kiev chant) | authentic Kiev chant, Monks Choir of Kiev Pechersk Monastery | D♭ Minor | 3 | 12A | 106 BPM | |
 | Memorare | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | F Major | 0 | 7B | 131 BPM | |
 | We sing Thee | USSR Ministry of Culture Chamber Choir, Valery Polyansky | E♭ Minor | 0 | 2A | 140 BPM | |
 | The Church's one foundation | Samuel Sebastian Wesley, Cathedral Choral Society, Nicholas White, Gisele Becker | E♭ Major | 1 | 5B | 83 BPM | |
| Vere languores nostros, IAL 32 | Antonio Lotti, Pro Musica, Szabó Dénes | A♭ Major | 0 | 4B | 71 BPM | |
 | 12 Songs of Various Nationality, WoO 157: No. 4. O sanctissima | Ludwig van Beethoven, The Cathedral Singers, Richard Proulx, Thomas Yang, Katherine Hughes, Elizabeth Holzman, Richard Yeo, Collins Trier, Stephen Hartman, Aaron David Miller | A Minor | 1 | 8A | 65 BPM | |
 | Les mystères douloureux : Stabat Mater Dolorosa | Anonymous, Choeur des moniales bénédictine de l'Abbaye de Kergonan | A♭ Minor | 1 | 1A | 75 BPM | |
 | Responsoria hebdomadae sanctae: Responsorium: In monte Oliveti | Marc' Antonio Ingegneri, Il Convitto Armonico, Stefano Buschini | G Major | 3 | 9B | 75 BPM | |
 | Psalm 27 | Edward Cutler, Choir of St John's, Elora, Michael Bloss, Noel Edison | A♭ Major | 1 | 4B | 126 BPM | |
 | La flagellation | Choeur des moines de l'abbaye Saint Benoit du lac, Dom André Saint-Cyr | G Minor | 0 | 6A | 61 BPM | |
 | Missa de angelis - Sanctus | Schola gregoriana mediolanensis, Giovanni Vianini | F Major | 1 | 7B | 74 BPM | |
 | Christus Vincit | Alos Kunc, Benedictines of Mary, Queen of Apostles | F Major | 0 | 7B | 128 BPM |
- ISRC
- DEHC20828363
- Label
- L-M Records/RCA Records