"The Tempest, Op. 109: VII. Allegretto" by Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra had its release date on February 21, 2025. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Sibelius: Symphonies Nos. 6 & 7, The Tempest". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. In terms of popularity, The Tempest, Op. 109: VII. Allegretto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Tempest, Op. 109: VII. Allegretto by Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trumpet Concerto in A-Flat Major: Meno mosso | Alexander Arutiunian, Selina Ott, Vienna Radio Symphony Orchestra, Roberto Paternostro | D♭ Minor | 0 | 12A | 112 BPM | ||
| Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | B Major | 0 | 1B | 119 BPM | ||
| Petite suite I. En bateau - Andantino En bateau - Andantino I - En bateu (Andantino) | Orchestra Sinfonica Abruzzese, Umberto Clerici, Marzio Conti | G Major | 0 | 9B | 96 BPM | ||
| Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 182 BPM | ||
| 3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
| Harp of Ages: II. Sister Juana's Hymn | Michael Daugherty, Andrew Litton, Colorado Symphony, Courtney Hershey Bress | A Minor | 1 | 8A | 75 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Consolation | Alain Lefèvre | D Major | 1 | 10B | 169 BPM | ||
| Dvořák: Suite in A Major, Op. 98, B. 190 "American": IV. Andante | Antonín Dvořák, Nathalie Stutzmann, Atlanta Symphony Orchestra | C Major | 1 | 8B | 83 BPM | ||
| Sarasate: Carmen Fantasy, Op. 25 (After Bizet): I. Moderato | Pablo de Sarasate, Augustin Hadelich, Cristian Măcelaru, WDR Sinfonieorchester | A Minor | 1 | 8A | 120 BPM | ||
| Aladdin, Op. 34, FS 89, CNW 17, Act III: Oriental Festival March | Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir, Danish National Radio Symphony Orchestra | A Minor | 0 | 8A | 165 BPM | ||
| I Sing to You (Souvenir): I Sing to You (Souvenir) | Eric Coates, BBC Philharmonic, John Wilson | F Major | 1 | 7B | 87 BPM | ||
| Lieder ohne Worte, Op. 19b: No. 6 in G Minor. Andante sostenuto, MWV U 78 "Venetian Gondola Song" | Felix Mendelssohn, Igor Levit | A♭ Major | 0 | 4B | 67 BPM | ||
| Symphonic Dances, Op. 45: I. Non allegro | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | D Minor | 1 | 7A | 80 BPM | ||
| Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (quasi andantino) | Johannes Brahms, Royal Concertgebouw Orchestra, John Eliot Gardiner | D♭ Major | 2 | 3B | 95 BPM | ||
| Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
| Harvest Hymn | Percy Grainger, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 84 BPM | ||
| Die schöne Galathée: Ouvertüre | Franz von Suppé, Wiener Philharmoniker, Yannick Nézet-Séguin | F Major | 0 | 7B | 73 BPM | ||
| Piano Concerto No. 1 with Trumpet and Strings, Op. 35: IV. Allegro con brio | Dmitri Shostakovich, Yuja Wang, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 3 | 3B | 84 BPM | ||
| Sospiri, Op. 70 (Arr. Anon. for Violin & Piano) | Edward Elgar, Braimah Kanneh-Mason, Konya Kanneh-Mason | D Minor | 1 | 7A | 101 BPM | ||
| Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | ||
| Violin Concerto No. 1, Op. 20: II. Andante Espressivo | Camille Saint-Saëns, Leia Zhu, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | B Major | 0 | 1B | 77 BPM | ||
| Orchestral Suite No.3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Martin Fröst, Sébastien Dubé, Jonas Nordberg | D Major | 0 | 10B | 65 BPM | ||
| Fantasy for Piano 4 Hands in F Minor, D. 940: I. Allegro molto moderato – | Franz Schubert, Maurizio Pollini, Daniele Pollini | F Minor | 0 | 4A | 102 BPM | ||
| Souvenir de Florence, Op. 70: III. Allegro moderato | Pyotr Ilyich Tchaikovsky, Royal Liverpool Philharmonic Orchestra, Domingo Hindoyan | B Minor | 1 | 10A | 74 BPM |