On 1965, the song "Bittersweet Samba" was released by Herb Alpert & The Tijuana Brass. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Whipped Cream & Other Delights by Herb Alpert & The Tijuana Brass. The song's track number on the album is #4 out of 14 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Bittersweet Samba is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Bittersweet Samba by Herb Alpert & The Tijuana Brass has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Bittersweet Samba being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sayonara | Club Nisei Orchestra, Tokie Tamaki | E♭ Major | 3 | 5B | 97 BPM | ||
| Love Theme From "The Flight Of The Phoenix" | The Brass Ring | G Major | 5 | 9B | 125 BPM | ||
| Those Were The Days | Paul Mauriat | D Major | 2 | 10B | 88 BPM | ||
| Slaughter On Tenth Avenue | The Ventures | D Major | 6 | 10B | 151 BPM | ||
| Autumn Leaves | Roger Williams | G Major | 5 | 9B | 116 BPM | ||
| One Note Samba / Recado Bossa Nova (Medley) | Leroy Holmes | F Minor | 4 | 4A | 94 BPM | ||
| Here It Comes Again | Frank Chacksfield Orchestra | G Major | 2 | 9B | 84 BPM | ||
| ワシントン広場の夜は更けて | Banjo & Accordion | E Minor | 4 | 9A | 124 BPM | ||
| Bo-Bo | Herb Alpert & The Tijuana Brass | C Major | 4 | 8B | 79 BPM | ||
| 男と女のテーマ | フランシス・レイ | A Major | 2 | 11B | 130 BPM | ||
| Mambo No 5 | Pérez Prado | G Major | 5 | 9B | 116 BPM | ||
| Never on Sunday | Herb Alpert, Herb Alpert & The Tijuana Brass | G Major | 5 | 9B | 116 BPM | ||
| Zorba the Greek | Herb Alpert | G Major | 5 | 9B | 116 BPM | ||
| Spanish Coffee | Frank Mills | A Minor | 7 | 8A | 145 BPM | ||
| Little Brown Jug | Les & Larry Elgart | A♭ Major | 4 | 4B | 138 BPM | ||
| Just for Tonight | Henry Mancini | E♭ Major | 3 | 5B | 140 BPM | ||
| Seven Golden Men | Armando Trovajoli, I Cantori Moderni Di Alessandroni | C Major | 7 | 8B | 133 BPM | ||
| Patricia | Hugo Montenegro | C Major | 6 | 8B | 132 BPM | ||
| Glow Worm Cha-cha-cha | Martini Lounge | F Minor | 5 | 4A | 143 BPM | ||
| エーゲ海の真珠 | ニュー・ポール・モーリア・グランド・オーケストラ | A♭ Minor | 6 | 1A | 78 BPM | ||
| The Happening | Herb Alpert & The Tijuana Brass | D♭ Major | 4 | 3B | 172 BPM | ||
| タフ・ワ・フ・ワイ | ジョーレナ・ハワイアンズ | A♭ Major | 4 | 4B | 113 BPM | ||
| Safradesia | Don Ralke | D Major | 5 | 10B | 137 BPM | ||
| 恋人になって I WANT YOU TO BE MY BABY | Izumi Yukimura | D♭ Major | 9 | 3B | 205 BPM | ||
| Anna | The Brass Ring | C Major | 6 | 8B | 142 BPM |