John Martyn's 'London Conversation' had a release date set for 1967. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. London Conversation's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Martyn's "London Conversation" album is number 3 out of 13. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, London Conversation is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of London Conversation by John Martyn to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Easy Blues | John Martyn | F Major | 4 | 7B | 133 BPM | ||
| Just Like the Rain | Richard Hawley | G Major | 6 | 9B | 113 BPM | ||
| Just Now | John Martyn | E♭ Major | 2 | 5B | 117 BPM | ||
| The Lee Shore | Crosby, Stills, Nash & Young | E Minor | 1 | 9A | 172 BPM | ||
| Many's the Night's Rest | The Furrow Collective | F♯ Minor | 2 | 11A | 77 BPM | ||
| Bonny Woodhall | Andy Irvine, Paul Brady, Dónal Lunny | E♭ Major | 3 | 5B | 94 BPM | ||
| My Friend The Sun - 2023 Remaster | Family | A Minor | 3 | 8A | 81 BPM | ||
| Love's Enough | David Ackles | E♭ Major | 1 | 5B | 78 BPM | ||
| Parcels | John & Beverley Martyn | B Minor | 2 | 10A | 147 BPM | ||
| I've Got A Secret (Didn't We Shake Sugaree) | Fred Neil | D Major | 3 | 10B | 106 BPM | ||
| Don't Get Hung up in Your Soul | Richard Hawley | D Major | 1 | 10B | 131 BPM | ||
| Canadee-I-O | Nic Jones | B♭ Major | 3 | 6B | 113 BPM | ||
| River Rat Jimmy | Kelly Joe Phelps | C Minor | 2 | 5A | 110 BPM | ||
| The Sea | Fotheringay | A Major | 4 | 11B | 129 BPM | ||
| Come Here My Love | Van Morrison | F Major | 1 | 7B | 129 BPM | ||
| Green Rocky Road | Fred Neil | E Minor | 4 | 9A | 156 BPM | ||
| Peter Brophy Don't Care - 2004 Remaster | Lindisfarne | F♯ Minor | 2 | 11A | 79 BPM | ||
| Life In A Scotch Sittingroom 2 Episode 11 | Ivor Cutler | A♭ Major | 1 | 4B | 135 BPM | ||
| Sister, Brother | F. J. McMahon | A Minor | 5 | 8A | 94 BPM | ||
| Wild Mountain Thyme - Live At BBC Sounds Of The 70's, London / 1970 | Fotheringay | C Major | 2 | 8B | 145 BPM | ||
| Beeswing | Richard Thompson | F Major | 2 | 7B | 138 BPM | ||
| Another Rain Has Fallen | Ralph McTell | G Major | 1 | 9B | 149 BPM | ||
| Follow | Richie Havens | D Major | 3 | 10B | 130 BPM | ||
| When I Came Down | Tír na nÓg | A Major | 2 | 11B | 96 BPM | ||
| The Man Who Hated Mornings | Michael Chapman | C Major | 6 | 8B | 63 BPM |